You may have heard artists talk about “toned ground painting,” “colored ground,” or “imprimatura.” What is it exactly? And why should you care? Whether you’re just starting, teaching, or painting professionally, toned ground painting can shift how your work looks, feels, and how fast you get it done.
If you’re an amateur or pro painter, art lecturer, or hobbyist, you know that what you paint on matters almost as much as what you paint with. The canvas is the foundation. Get it right, and it supports your vision. Choose poorly, and you’ll fight it every step. Let’s talk about what to consider so you pick a canvas that works, not one that works against you.
If you love painting big, making walls come alive, and seeing work out in the public, then this is for you. Consistency in mural work isn’t a mystery. It’s a combination of smart prep, visible presence, professional habits, and relationships. Here’s how you, whether amateur or pro, can build a steady flow of mural jobs.
If you make mixed media art (paints, collage, wood, found objects, etc.), you’ve probably worried: “Will my piece arrive intact?” Shipping mixed media works brings special risks. Different materials behave differently. Joints can be fragile. Textures or protruding bits can get crushed or scratched. But you can ship safely, with care.
If you paint whether professionally, as a hobby, or teach others, you’ve probably asked: should I use a wood panel or stretched canvas? Each has strong points. Picking the right one can influence how your work looks, lasts, how you handle it, and even what techniques feel natural. Let’s dig in.
If you’re a painter–amateur, pro, lecturer, or hobbyist–you’ve probably felt it: the fear that your work won’t be seen, that your voice won’t reach anyone. It’s real. But it doesn’t have to stop you. You can build visibility, even when fear is heavy. Here’s how.
Running an art studio is deeply rewarding, but financially shaky. As painting sales, commissions, teaching income and studio rentals fluctuate, many studio-owners feel insecure about covering basic costs. The good news: there are strategies you can start now to bring stability, reduce stress, and build a buffer.
If you’re a painter, teamwork isn’t just about convenience. Collaborating with other artists opens doors to fresh ideas, new audiences, and creative breakthroughs. Here’s how you can connect, partner up, and build something that lifts everyone involved.
Alright, muralists–let’s get real about social media. It’s often overwhelming, sure. But it’s also where your art finds eyes, clients, and yes, meaning. Here’s how to navigate it without losing your paintbrush.
Let’s talk painting surfaces. If you’ve sketched or painted on an artist wood panel, you’ve probably run into the terms “cradled” and “uncradled.” It’s easier than it sounds and it’s a solid choice that’ll affect your finished work.