Tagged: painting

Should I Stretch My Own Canvas?

Embarking on a painting journey is an adventure filled with boundless creativity and artistic exploration. Yet, before we can unleash our brushes upon the canvas, an important decision must be made—do we purchase a pre-stretched canvas or stretch the canvas ourselves?

There are pros and cons to stretching your own canvas and buying a pre-stretched canvas.

Stretching your own canvas

Canvas rolls in an art studio
Canvas rolls in an art studio

Pros

1. Cost-effective. Artists stretch their own canvas for the savings they will incur in the long run. You remove the cost paid for professional services, but keep in mind that you have to buy in bulk in the beginning (canvas rolls, stretcher bars, tools, etc.).

2. Personalization. Stretching your own canvas gives you the freedom to customize the canvas according to your preferences and artistic vision. You have complete control over the materials that will  be used in your canvas.

3. Additional learning. Most artists can learn how to stretch a canvas. It will be challenging at first, but it’s a valuable learning experience.

Cons

1. Time consuming. As with other DIY projects, stretching a canvas can be time-consuming, especially for beginners. Think about whether the savings is worth the time you’ll spend in the stretching process.

2. Skill. It’s a learned skill to stretch a canvas. An Internet search on tutorials on how to stretch a canvas may help you, but it’s better to have proper guidance from an experienced artist or craftsman.

3. Space. You need to have ample space to stretch a canvas.

Buying Pre-stretched Canvas

Several sizes of pre-stretched canvases
Several sizes of pre-stretched canvases

Pros

1. Time-saving. Buying  a pre-stretched canvas frees you from the laborious task of stretching and priming, allowing you to devote more time to the creative process itself.

2. Convenient. A pre-stretched canvas gives you the simplicity of a ready-to-use surface. Whether you’re painting in the comfort of your studio or amidst the hustle and bustle of a plein air adventure, a pre-stretched canvas is a portable, hassle-free companion that empowers you to create wherever inspiration strikes.

3. High quality. Pre-stretched canvases are crafted with care and precision, ensuring a professional-quality surface. They provide a stable foundation that resists warping and sagging, preserving your artwork for generations to come.

Cons

1. Limited sizes. Off-the-shelf canvases may be limited in size and you might not find the right canvas that you need. But, there are shops like CanvasLot that offers custom-sized canvases from 6 inches up to 12 feet.

2. Changes in surface tension. Temperature changes, improper handling, vibrations are a few factors that affect the surface tension of a pre-stretched canvas.

Final word: Should you stretch your own canvas?

Whether you’re working with your own stretched canvas or a pre-stretched one, there are advantages to both options. If you’re working on large paintings regularly, stretching your canvas have its perks. But, if you paint once in a while, or you like to create small and medium artwork, then pre-stretched canvases are for you.

Painter's palette

Which is the Best Canvas for Acrylic Painting?

Selecting the perfect canvas for your acrylic masterpiece can be likened to choosing the ideal brushstroke—each decision shapes the final outcome. With a lot of options available, from stretched to unprimed, finding the best quality canvas can feel like navigating a labyrinth of artistic choices.

To help you choose the best canvas for your acrylic painting, here are three factors to consider:

Fabric. Painting canvases are commonly made from two materials–linen and cotton. Artists agree that linen canvas is the better canvas compared to cotton because of its durability and archival quality.

Cotton, on the other hand, provides a softer and smoother surface than linen. It’s also more accessible and budget-friendly. All of CanvasLot’s canvases are made from 100% cotton.

To know more about the difference between a linen and cotton canvas, read the article: Painting on Linen vs Cotton Canvas

Prime or Umprimed. Priming a canvas gives you a smooth surface to paint on and helps prevent it from rotting. Most canvases are pre-primed with gesso to save you time and effort.  Acrylic paint adheres better on a primed canvas and the paint will not sink into the canvas. All of CanvasLot’s canvas surfaces are double primed with acid-free acrylic gesso ready to be painted on.

If you enjoy preparing your canvas from scratch, you can choose an unprimed canvas and apply gesso yourself.

Custom-sized canvases from CanvasLot
Custom-sized canvases from CanvasLot

Types of Canvases. There are several types of canvases available in the market, each catering to different skill level, painting style, budget and desired outcome.

  • Stretched canvas – A stretched canvas is one of the most popular types of canvas for acrylic painting. The fabric (either linen or cotton) is stretched over and stapled on a wooden frame called stretcher bars.
  • Canvas panels – A more affordable alternative to stretched canvas, canvas panels are usually made from cotton that is mounted onto a rigid board. It is thinner, more portable and is a good choice for beginners.
  • Canvas papers – These are sheets of primed canvas that are bound together as a pad or book. Another budget-friendly option that’s ideal for students and novice artists.
  • Canvas rolls – A canvas roll is usually used used when creating large paintings. It is made from linen or cotton and comes in different weights, textures and fibers. You can get it primed or unprimed. Sold by yard, canvas rolls are on the expensive side of canvases. This option is ideal for an experienced painter.

In conclusion, the best canvas for acrylic painting depends on your personal preferences, skill level and budget. Whether you prefer the convenience of pre-primed canvases or the tactile allure of unprimed linen, selecting the perfect canvas is an important step in bringing your artistic vision to life.

Want to know more about canvases for painting? Contact us and we’ll gladly answer your questions.

6 Factors to Consider When Photographing Your Paintings

Creating a masterpiece on canvas takes time, skill, and passion. But what good is your stunning artwork if you can’t capture its brilliance on camera? As a proud creator of art, it’s natural for you to show it to the world.

Whether you’re photographing your paintings for personal satisfaction, art shows, or grants, here are some factors to consider to hopefully help you capture the beauty of your work like a pro!

1. Lighting. Like a painting itself, lighting can make or break your photograph. Indirect, natural light is your best friend, so position your artwork near a window or in a well-lit room. Beware of harsh sunlight though—it can cast unwelcome glares and distort colors.

If you’re pressed for time and the weather isn’t cooperating, you can use two artificial lights such as flashlights or table lamps. A simple triangle setup will be useful in reducing shadows on your photos. Place the lights between the canvas and the camera with the lights pointing at a 45-degree angle towards the painting. The camera should be behind the lights.

Photo by Patrick Tomasso on Unsplash
Photo by Patrick Tomasso on Unsplash

2. Position. Hang your painting on a neutral colored wall (black, white, gray). Make the center of the artwork parallel to the position of your camera. A tripod is useful to get good shots, especially if you’re photographing several paintings.

3. Composition. Tell a story with your photos. If you’re tired of taking 2-D images of your paintings, try including props (art materials), changing angles, or let someone else take a picture of you working on your artwork. Experiment and see which photos work for you.

4. Background. Your artwork is the star of the show, so don’t let a cluttered background steal its thunder. Clear the space around your painting of distractions—coffee cups, stray brushes, or that rogue sock—and let your canvas art shine in all its glory.

5. Camera settings. Ensure your camera’s focus is razor-sharp on every brushstroke and color gradient. Take your time to adjust the focus manually if needed, and don’t be afraid to zoom in for those intricate details. Your painting’s precision deserves nothing less than crystal-clear perfection.

6. Editing. Taking a photo of your painting doesn’t end once the photo is snapped. If you’re on a budget, there are free and inexpensive photo editing software that you can use to edit your photos. With these programs, you can do minor adjustments, crop the photo, adjust the color and contrast, and remove impurities.

Hope these will help you capture the beauty of your paintings and how you represent yourself professionally. Of course, there are other factors to consider when photographing your paintings, but these six are the basic and are a good starting point.

How Austin’s Painters Connect with Clients

In the vibrant artistic community of Austin, TX, painters thrive on a diverse array of commission projects that fuel their creativity and sustain their livelihoods. From murals adorning city walls to personalized portraits capturing cherished memories, artists in Austin use various strategies to secure commission work and establish meaningful connections with clients.

Here’s how Austin artists find commission projects:

Networking. Start locally. Connections within the local art scene is important in establishing your mark in the industry. Austin boasts a rich cultural landscape teeming with galleries, art festivals, and community events, providing ample opportunities for artists to showcase their work and forge connections with potential clients.

By actively participating in exhibitions and engaging with fellow artists and art enthusiasts, painters can expand their professional networks and attract the attention of individuals seeking commissioned artwork.

Networking is also a great way to discuss about canvas suppliers, paint brands, and painting tips and techniques.

Social media. Everybody uses social media for personal and professional needs.  Social media platforms such as Facebook, Instagram, and TikTok plays an essential role in connecting Austin’s painters with commission projects.

With social media, Austin artists share their portfolios, behind-the-scenes glimpses of their work in progress, and promote their services to a wide audience. Through strategic use of hashtags, targeted outreach, and engaging content, painters can cultivate an online presence that resonates with potential clients and generates inquiries for commission work.

Photo by MJ Tangonan on Unsplash

Collaboration. Artists in Austin often collaborate with local businesses, organizations, and homeowners to bring their artistic visions to life through commissioned paintings and installations.

From coffee shops and restaurants to schools and community centers, establishments across Austin embrace the transformative power of art to enhance their spaces and engage with their patrons.

By proactively reaching out to businesses and pitching their ideas for custom artwork, painters can secure commission projects that not only showcase their talents but also contribute to the cultural fabric of the city.

Referrals. Satisfied clients serve as valuable source of commission projects for painters in Austin. They are often eager to recommend the artist to friends, family, and colleagues seeking similar services.

In addition to providing beautiful canvas art, artists maintain positive relationships with clients and provide good customer service since a sale of an artwork doesn’t end at the installation of the painting.

These are just a few ways how artists in Austin get commission work. In this thriving artistic hub, commission projects serve not only as opportunities for painters to showcase their talents but also as a tool for enriching the cultural tapestry of Austin.

 

How Artists Can Find Clients for Commission Projects

Photo by Ahmed Raza Kz on Unsplash

In the art industry, securing commission projects stands as an endeavor for artists aiming to sustain their craft and build a thriving career. Yet, in a landscape saturated with talent, navigating the path to finding clients can be challenging. However, with strategic approaches and a proactive mindset, artists can effectively connect with potential clients and secure commission projects.

  • Cultivate an online presence. Establishing a professional website or portfolio on online platforms can showcase past work, artistic style, and contact information. Social media also provide additional avenues for artists to share their creations, engage with a broader audience, and attract potential clients through visual storytelling and networking.
  • Online artist communities. Actively participating in online artist communities and forums can expand an artist’s reach and visibility. DeviantArt or Reddit offer spaces for artists to share their work, receive feedback, and connect with like-minded individuals. Engaging with these communities not only fosters a sense of belonging but also opens doors to collaboration opportunities and client referrals.
Photo by Michał Parzuchowski on Unsplash
  • Local art shows and fairs. These events provide valuable exposure and networking opportunities within the artist’s community. Artists can showcase their work directly to potential clients, art enthusiasts, and industry professionals. Building relationships with local businesses, galleries, and art organizations can also lead to commission opportunities through referrals and partnerships.
  • Word-of-mouth marketing. This strategy is free! Satisfied clients can become powerful advocates for an artist’s work, spreading recommendations and referrals to their networks. Remember that your relationship with a client doesn’t end upon sale. You should provide exceptional customer service, maintain open communication, and deliver high-quality work to cultivate positive relationships and generate repeat business and referrals.
  • Seek out potential clients. Look for businesses, organizations, and individuals who may require commissioned artwork aligned with your style and expertise. Write personalized pitches and proposals that demonstrate an understanding of the potential client’s needs and vision to significantly increase the likelihood of securing commission projects.

Finding clients for commission projects may present challenges, but maintaining a dedication to your craft and adopting these approaches can help you establish yourself as sought-after painters and cultivate a thriving career in the competitive world of arts.

Where to Get Custom-sized Canvases?

At CanvasLot, we understand the importance of a canvas that complements your artistic vision. Our hand-stretched, custom-sized canvases are designed with the artist in mind, providing a blank slate for your imagination to unfold.

Why buy canvases from CanvasLot?

  • Custom-sized canvases. Our canvases can be custom-sized according to your needs. We offer small canvases for your minis and large canvases of up to 12ft.
  • High-quality surface. Our canvases have a sturdy and durable surface that can withstand the rigors of the painting process, including multiple layers of paint, blending, and reworking. This durability ensures that your artwork will stand the test of time without warping or deteriorating.

  • Any stretcher bar depth. We offer many different stretcher bar depth (thickness) for your canvas. Order online and get your custom-stretched canvas with the exact size that you need.
  • Hand-stretched to perfection. Our canvases are tightly stretched, especially in the corners, to give you the perfect tension when painting. You wouldn’t want your canvas to be sagging later and ruining your art.
  • Heavy-duty wood frame. We provide high quality and tightly-stretched canvases supported by heavy duty solid wood frame. We’ve been working with artists to provide canvases that professionals and enthusiasts will love.
  • Elegant reusable wood case with double wall cardboard. Protect and deliver the finished artwork to your clients in a professional wood frame case with double wall cardboard, custom built for the canvas. The wood case is also made from the same heavy duty hardwood and will last as long as the canvases come in it.

  • Back-stapled. All of our canvases are gallery-wrapped and back-stapled for a classic and elegant look. The canvas is tightly stretched and folded over the frame and is secured with staples on the back.
  • Free shipping. We deliver nationwide for free!

Looking for a canvas that reflects your unique style? Check out our website, Canvaslot.com, where we offer custom-sized canvas options tailored specifically to your preferences.

What Painting Canvas Sizes Sell Best

Painting on canvases may start as a hobby, but for most painters, selling their artwork is a primary source of income. Some left their full-time jobs to become full-time artists. They enjoy spending time doing what they love in creating and expressing their thoughts and feeling through paint and a blank canvas. For some artists, painting is a stress reliever after a hard day’s work.

Choosing the right canvas size can be a factor in selling your artwork. Aside from collectors having different tastes in art, having the perfect painting size can determine whether or not you’ll be able to close the deal.

So, what canvas size sells best?

While there’s a debate whether a small size painting sells better than larger ones and vice-versa, a medium-sized canvas is a safe place to start.

Canvas sizes such as 16″ x 20″ and 18″ x 24″ tend to sell well in the market. Paintings using these canvas sizes can fit the walls in most homes. This also gives you enough space to paint intricate details in your art without compromising the overall composition.

Explore painting on several medium-sized canvases. It’s a handy size that you can bring outdoors for plein air painting. It’s also a good size for portraits.

Other factors to consider

Target buyers

Think about your potential buyers. Are you targeting locals or tourists into purchasing your painting? Tailor your canvas sizes according to your collectors’ preferences.

Tourists like smaller artworks for easier packing and shipping. Small paintings can be quickly stored inside a suitcase or can even fit carry-on bags.

Small paintings are also more affordable. First-time buyers and those are in a tight budget will usually lean on buying a low-cost artwork.

Meanwhile, local collectors especially those who frequent high-end galleries, show areas, exhibits, etc. prefer buying large paintings. These paintings give greater visual impact and hang beautifully in wide and high walls. Large artworks usually grace the walls of hotels, restaurants, universities, and hospitals.

Market trends

Study market trends. Art trends determine which sizes are in demand. What’s high-selling last season may not be so hot right now.

For example, art buyers may prefer miniature paintings during Christmas time since these small artworks are great gifts to family and friends. These miniatures can be used to hang on a Christmas tree, too.

Selling venues

If you’re selling art online or in local art shows, smaller paintings are preferable in these venues. On the other hand, art galleries prefer larger-sized paintings.

Learn more about custom-sized canvases from CanvasLot.

Oil Painting Terms: Part One

Oil Painting Terms
Oil painting has several words that ought to be learned prior to obtaining a brush. Many oil painting terms origin from Latin roots so mispronunciations are very common. Please bear in mind that there may be some variation between the various professionals, organizations and especially between different languages following translation to English. Here are some of the common terms that a new artist should be familiar with.

Oil-painting-essential-materials-techniques-Good-Paints

Abstraction – The process of leaving out of consideration one or more properties of a complex object so as to attend to others.
Acrylic – A type of rapid drying and versatile synthetic paint that is an especially popular with artists working today. The term is also used as a generic term for any synthetic paint medium. Acrylics have good adhesive and elastic properties, they resist ultraviolet light and chemical degradation and are easy to remove with mineral spirits. They are often used in the restoration of damaged oil paintings.
Adumbration – A sketchy, imperfect or faint representation.
Altarpiece – A painted or carved screen placed above and behind an altar or communion table.
Alkyd – Synthetic resin used in paints and mediums to work as a binder that encapsulates the pigment and speeds the drying time.
Alla Prima – Technique in which the final surface of a painting is completed in one sitting, without underpainting. Italian for “at the first”.
Analogous Colours – Colours that are closely related, or near each other on the colour spectrum. Especially those in which we can see common hues.
Applied Art – As distinct from fine art, refers to the application of decoration to useful objects (such as ceramics, furniture, jewelry, etc.)
Aquatint – A method of etching that imitates the broad washes of a watercolour.
Artists’ Agent – A third party who handles the business and promotional aspects of an artist’s career. Many artists’ agents are also gallery owners. Sales agents sell a completed product, whereas artists’ agents tend to also negotiate licensing and publishing deals, organize exhibitions, handle PR and promotion and have some influence on the direction in which an artist’s career develops.
Batik – A painting or design that is applied to cotton using wax and dye. It often comes from the Far East or Africa. It is important to identify the correct way round for the image since the back is very similar to the front. Before stretching, batik should generally be placed between two sheets of brown paper or tissue and ironed; the heat will release any excess wax which will be absorbed by the paper. Batiks do not normally require squaring, as the weave is too close for this to be a problem.
Binder – The ingredient (such as oil, acrylic, egg tempera or gum arabic) in paints that causes the particles of pigment to adhere to one another and to a support.
Brushwork – The characteristic way an artist applies (brushes) paint onto a support producing an individualistic texture as well as aesthetic appeal and value. One of any artists most powerful attributes.

how-to-oil-painting-lessons-colours_pigments
Canvas – Closely woven cloth usually of cotton or linen that is used as a support (surface) for paintings.
Catalogue – A list of works of art often associated with an exhibition or auction that provides information on the works themselves, the artist, the materials and provenance.
Certificate of Authenticity – Certifies the authenticity of an individual piece in an edition and can also state the current market value.
Charcoal – Pure carbon prepared from vegetable or animal substances. Finely prepared charcoal in small sticks used as a drawing implement.
Chiaroscuro – In drawing, painting, and the graphic arts, chiaroscuro (ke-ära-skooro) refers to the rendering of forms through a balanced contrast between light and dark areas. The technique that was introduced during the Renaissance, is effective in creating an illusion of depth and space around the principal figures in a composition. Leonardo Da Vinci and Rembrandt were painters who excelled in the use of this technique.
Commission – To order an original, usually customized work of art from the artist.
Consignment Note – Signed agreements between artists and galleries to confirm that a gallery has taken possession of a painting, but that it the artist’s property until paid for in full. A consignment note represents proof of ownership in the event of an insurance claim, so it should always make clear that the work is insured the gallery while in its possession, whether in transit, at a fair, at a client’s house etc.
Copperplate – An engraving consisting of a smooth plate of copper that has been etched or engraved.
Copyright – The artist retains the copyright in a work regardless of whether the original has been sold. Copyright is separate from the painting itself, and the artist has the right to sell it. Legally, transfer of copyright has to be in writing. Within the EU copyright extends for 70 years after the artist’s death.
Crosshatching – Shading consisting of multiple crossing lines, typically usually used in pencil and ink drawings.

…to be continued

Image source: www.webartacademy.com

The Wonderful World of Finger Painting by Iris Scott

Professional Finger Painter Iris Scott
Professional Finger Painter Iris Scott

Finger painting is an art activity usually associated with children. Kids love to play with paint, mix different colors, and put them on paper. You’ll get messy art, filled with an assortment of colors, which ends up on the refrigerator door. It may seem a childish endeavor but there is an artist who is creating a buzz in the art world for her beautiful finger paintings.

Iris Scott is an American professional painter who, by chance, realized the wonders of using fingers in applying paint on canvas. In 2009, after college, Iris decided to have a sabbatical to paint without distractions, without any worries. She rented a small studio apartment in Taiwan with a great view of the ocean. Taiwan, being a tropical country, experiences hot, humid weather. The communal sink of the building was located in an area where there was no air conditioning. She had to go out of her air conditioned room to be able to clean her paint brushes. It was such an inconvenience, having to leave her work in a cool place just to wash her brushes under the heat. Then, a serendipitous moment happened. Iris thought she could just use her fingertips to apply paints, without needing her brushes. And the rest, as they say, is history.

Colleen - Single Ladies Collection
Colleen – Single Ladies Collection

Iris admits that washing paint brushes has never been her strong point, so finger painting definitely is perfect for her. She uses surgical gloves when painting, achieving the correct color quickly. Instead of going out of her room to wash her brushes, she just wipes her gloved hands with paper towels and she can use another paint color in an instant. Once she starts painting, her fingers flawlessly dance across the canvas, like a pianist’s hands.

When she has inspiration to paint, she quickly sketches it out and paints immediately. Wearing her purple latex gloves, Iris applies paint directly from the tube. She keeps the paints thick and raw, preferring to use several shades and colors instead of mixing paints together.

Iris’ oeuvre is categorized as Post-Impressionist, with life as the main theme. She says that her paintings are similar to those of Edvard Munch, Vincent van Gogh, and Claude Monet.

For new artists, Iris advises that they should save enough money to take a year or two just painting everyday. Like her, leaving your comfort zone and living out of the country to focus on painting is best. Improve your skills and techniques, targeting to paint on a daily basis. This year-off is not for sight-seeing and pleasure only.

Image source: www.irisscottprints.com

Fayum Mummy Portraits: The Oldest Modernist Paintings

Portrait of a young boy, early 3rd century, Antikensammlung Berlin.
Portrait of a young boy, early 3rd century, Antikensammlung Berlin.

W.M. Flinders Petrie, a British archaeologist has discovered the Fayum in the years between 1887 and 1889. Fayum is a sprawling oasis region 150 miles south of Alexandria wherein he excavated a vast cemetery from the first and second centuries A.D., when imperial Rome ruled Egypt, he found scores of exquisite portraits executed on wood panels by anonymous artists, each one associated with a mummified body. Petrie eventually uncovered 150.

Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara and Antinoopolis, hence the common name. “Faiyum Portraits” is generally thought of as a stylistic, rather than a geographic, description. While painted Cartonnage mummy cases date back to pharaonic times, the Faiyum mummy portraits were an innovation dating to the Coptic period on time of the Roman occupation of Egypt.

Most of the preserved mummy portraits were painted on boards or panels, made from different imported hardwoods, including oak, lime, sycamore, cedar, cypress, fig, and citrus. The wood was made smooth and cut into thin rectangular panels. The finished panels were set into layers of wrapping that enclosed the body, and were surrounded by bands of cloth giving the effect of a window-like opening through which the face of the deceased could be seen. Portraits were sometimes painted directly onto the canvas or rags of the mummy wrapping (cartonnage painting).

By now, nearly 1,000 Fayum paintings exist in collections in Egypt and at the Louvre, the British and Petrie museums in London, the Metropolitan and Brooklyn museums, the Getty in California and elsewhere.

Portrait of a man holding a plant, Musée des Beaux-Arts, Dijon.
Portrait of a man holding a plant, Musée des Beaux-Arts, Dijon.

For decades, the portraits lingered in a sort of classification limbo, considered Egyptian by Greco-Roman scholars and Greco-Roman by Egyptians. But scholars increasingly appreciate the startlingly penetrating works, and are even studying them with noninvasive high-tech tools.

At the Ny Carlsberg Glyptotek museum in Copenhagen, scientists recently used luminescence digital imaging to analyze one portrait of a woman. They documented extensive use of Egyptian blue, a copper-containing synthetic pigment, around the eyes, nose and mouth, perhaps to create shading, and mixed with red elsewhere on the skin, perhaps to enhance the illusion of flesh.

Stephen Quirke, an Egyptologist at the Petrie museum and a contributor to the museum’s 2007 catalog Living Images, says the Fayum paintings may be equated with those of an old master—only they’re about 1,500 years older.

Doxiadis has a similar view, saying the works’ artistic merit suggests that “the greats of the Renaissance and post-Renaissance, such as Titian and Rembrandt, had great predecessors in the ancient world.”

Image source: commons.wikimedia.org