An art journal is not a sketchbook, a diary, or a finished artwork though it can borrow a little from all three. At its simplest, an art journal is a private space where you explore ideas visually without pressure. It’s where paintings begin long before they ever reach a canvas.
For painters, an art journal is less about making “good” work and more about making honest work.
Choosing the right canvas size sounds simple until you actually have to do it. Too small and the work feels cramped. Too large and you’re fighting empty space or wasting materials. Whether you’re painting for an exhibition, a commission, or your own studio practice, calculating canvas size is about planning, not guesswork.
Here’s how to approach it in a way that makes sense.
When you’re standing in front of a blank canvas, one of the first questions you’ll face is what paint should I use? The answer isn’t one-size-fits-all but understanding the properties of the main paint types makes choosing easier whether you’re just starting or have years in the studio.
In art education, the materials we introduce students to are as important as the concepts we teach. One surface that deserves more attention in classrooms, studios, and workshops is the wood panel. From Renaissance masters through to contemporary artists, rigid wooden supports have played a vital role in the history of painting. Including them into art education not only broadens students’ technical skills but also deepens their understanding of artistic traditions and material behavior.
There’s something thrilling about standing in front of a large canvas. The scale invites bold decisions, expressive gestures, and a physical connection to your art that smaller formats simply can’t match. But that sense of freedom can also come with challenges: intimidation, proportion issues, time management, and even fatigue. Here’s a guide to help you approach large canvases with confidence and clarity.
When it comes to turning your artwork or photos into finished wall pieces, canvas prints and acrylic prints are two of the most popular options today but they deliver very different looks and experiences. Understanding their strengths can help you choose the best way to present and reproduce your work. Below, let’s break down what makes each option unique and why one might suit your needs better than the other.
Getting a smooth finish on canvas, one where the paint flows beautifully and transitions look seamless, is something many painters work toward, whether you’re just starting out or have been in studios for years. The good news? It’s as much about preparation and technique as raw talent.
If you’ve ever wondered why so many painters talk about preparing their canvas before laying down color, you’re in the right place. Taking the time to prime and prepare your canvas pays off in ways that go far beyond neatness. It changes how your paints behave, how your colors look, and how your finished work feels.
If you’ve ever felt pulled between studio time and business tasks, know this: balancing creativity with business is a dynamic practice, not a fixed state. Some habits and strategies help keep the paint flowing and the art career moving forward. Try these tips:
If you’re a painter, art lecturer, or creative hobbyist, you’ve probably worked on canvas and paper. But wood panels are quietly winning over contemporary studios, and for good reasons. They’re not just old-school supports for oil paint anymore. Wood panels offer a playground of tactile, structural, and conceptual possibilities that many artists are only beginning to tap into.