In the studio, negative feedback or rejection can feel brutal as though someone has judged you, not just your work. As painters, whether amateur or professional, it’s part of the game. The key is not to avoid it (you won’t) but to learn how to live with it and use it. Here’s how you can tackle this challenge.
When you pick up your brush and tubes, the canvas underneath matters more than you might think. The “right” canvas for acrylic painting doesn’t just support paint, it interacts with it. Whether you’re just starting or refining your materials, here’s how to choose canvases: material, texture, strength, and finish.
Running an art gallery is more than picking pretty paintings. At its heart, a gallery is a mediator between artists, collectors, and culture. And that terrain moves fast. Taste changes, attention shifts, new voices emerge. If you’re a gallery owner, navigating this flux is part of the job. Here’s how you can stay relevant, resilient, and in dialogue with changing tastes.
Whether you’re an amateur painter or seasoned pro, sealing your painted canvas is a meaningful last step. It protects your work from dust, UV damage, and abrasion and gives it a finished look. But sealing is an art in itself, and doing it poorly can ruin a piece.
Every painting whether a quick sketch or a large, refined work, typically moves through stages. Knowing these stages helps you work more deliberately, spot what phase you’re in, and avoid getting stuck. Here’s a breakdown of four common stages of painting.
Before a brush ever touches the canvas, you’re already painting in your head. This stage includes:
Paintings with strong outcomes often start with a solid design: layout, balance, focal points. Some artists do several small studies here before committing to the final canvas.
If you’re an amateur or pro painter, art lecturer, or hobbyist, you know that what you paint on matters almost as much as what you paint with. The canvas is the foundation. Get it right, and it supports your vision. Choose poorly, and you’ll fight it every step. Let’s talk about what to consider so you pick a canvas that works, not one that works against you.
If you make mixed media art (paints, collage, wood, found objects, etc.), you’ve probably worried: “Will my piece arrive intact?” Shipping mixed media works brings special risks. Different materials behave differently. Joints can be fragile. Textures or protruding bits can get crushed or scratched. But you can ship safely, with care.
If you paint whether professionally, as a hobby, or teach others, you’ve probably asked: should I use a wood panel or stretched canvas? Each has strong points. Picking the right one can influence how your work looks, lasts, how you handle it, and even what techniques feel natural. Let’s dig in.
If you’re a painter–amateur, pro, lecturer, or hobbyist–you’ve probably felt it: the fear that your work won’t be seen, that your voice won’t reach anyone. It’s real. But it doesn’t have to stop you. You can build visibility, even when fear is heavy. Here’s how.
If you’ve ever stared at a blank canvas and felt a pang of hesitation or found your colors lacking pop, toning your canvas could be the secret to unlocking more expressive, confident painting.