Short answer: sometimes. Longer answer: it depends on the medium, the purpose of the work, and how you expect it to live in the world.
Sealing a painting isn’t a universal rule, and it’s one of those topics where artists hear a lot of confident advice that doesn’t always apply.
At some point, if your work is visible, someone won’t like it. That’s not a failure. It’s a sign that your work has entered the public conversation. Negative reviews and critical press are part of being a working artist, whether you’re emerging or established.
The challenge isn’t avoiding criticism. It’s learning how to handle it without letting it derail your practice.
If you’ve ever stood in front of a massive painting and thought, How did they even get that thing?, you’re asking a very normal question. Those oversized canvases don’t magically appear in studios. They’re planned, built, and handled with a lot more problem-solving than most people realize.
Here’s how artists actually do it.
When you’re standing in front of a blank canvas, one of the first questions you’ll face is what paint should I use? The answer isn’t one-size-fits-all but understanding the properties of the main paint types makes choosing easier whether you’re just starting or have years in the studio.
In art education, the materials we introduce students to are as important as the concepts we teach. One surface that deserves more attention in classrooms, studios, and workshops is the wood panel. From Renaissance masters through to contemporary artists, rigid wooden supports have played a vital role in the history of painting. Including them into art education not only broadens students’ technical skills but also deepens their understanding of artistic traditions and material behavior.
When it comes to turning your artwork or photos into finished wall pieces, canvas prints and acrylic prints are two of the most popular options today but they deliver very different looks and experiences. Understanding their strengths can help you choose the best way to present and reproduce your work. Below, let’s break down what makes each option unique and why one might suit your needs better than the other.
Getting a smooth finish on canvas, one where the paint flows beautifully and transitions look seamless, is something many painters work toward, whether you’re just starting out or have been in studios for years. The good news? It’s as much about preparation and technique as raw talent.
If you’re a painter, art lecturer, or creative hobbyist, you’ve probably worked on canvas and paper. But wood panels are quietly winning over contemporary studios, and for good reasons. They’re not just old-school supports for oil paint anymore. Wood panels offer a playground of tactile, structural, and conceptual possibilities that many artists are only beginning to tap into.
Every artist wonders at some point: What kind of art actually sells? Whether you’re trying to support your practice financially or just find an audience for your work, understanding what buyers tend to choose can help you make decisions without sacrificing your creative voice. Here’s a practical look at the types of art that tend to sell faster.
Wood panels are a favorite support for artists because they are rigid, durable and great for fine detail. But unlike canvas, wood responds to moisture and humidity by expanding and contracting. When that movement isn’t balanced, the panel can warp. Here’s how you can prevent warping and address it when it happens.