Category: Oil Painting

July 15, 2013

Famous Abstract Paintings

Abstract paintings are in its purest form and have no identifiable object. It is a visual language that awakens emotions, imagination that feeds the soul. Many famous abstract artists expressed themselves through abstract paintings which paved their way to fame. Through the years, they have different painting techniques and styles that created a whole new world for fine arts. Here are some of the most famous paintings that changed the whole perception of abstract art.

“Composition VIII” (1923) –Composition VIII by Wassily Kandinsky is small oil on canvas painting dating from 1923. This geometric composition communicates to the world through the use of shapes, colors, and lines. It is currently in the Guggenheim Museum in New York.

“Black Square” (1915) – “Black Square” is the first “suprematist” work of Malevich. Black Square against white background became the symbol, the basic element in the system of the art of suprematism, the step into the new art. The painting is the ultimate picture of pure abstraction. The artist himself created several variants of the Black Square. All four are different not only the sequence and year of creation, but also the color, design and texture.

“Number 1” (1948) – Jackson shows how much paint can be “unrestricted, unexpected, uncontrolled” as we see it poured onto a canvas making lines that are assertive, and we also see a complexity of shapes, globs, pools of paint layered one on top of another. Paintings like this are unique because the artist’s actions, strengths, and energy could be reflected in the art.

“Dantrolene” (1994)– This painting is one of the most famous contemporary abstract paintings that could surpass a lot of present art available for sale. Painted by Damien Hirst, the viewers are amazed by the pigments portrayed in the painting. They will search for deeper images that their minds are forced to create. In the end, endless emotions and assumptions will be extrapolated from this painting.

“Les Demoiselles D’Avignon” (1907) – The painting made by Pablo Picasso depicts four women in a brothel that are not fully abstracted. Each figure is depicted in a disconcerting confrontational manner and none are conventionally feminine. This lack of abstraction does not reason the paintings’ exclusion from the list of the most famous abstract paintings.

“Woman I” (1950) – De Kooning described the figurative motif of this painting not as a representation but as a thing slapped on the canvas, liberating him from formal anxieties. The main attraction of the work is the painful and angry image of an abstracted woman, hence the title of the painting. This “woman” is exaggeratedly, absurdly physical and at the same time not there at all, a spewed monster of fantasy, a crude graffito that took two anguished years to paint.

July 15, 2013

Dutch Master Rembrandt and His Most Famous Works

Today is Rembrandt’s 407th birthday!

Born Rembrant Harmenszoon van Rijn in 1606, he is the most celebrated Dutch artist and is considered as one of the greatest painters in European art history. Most of his masterpieces are self-portraits, portraits of other artists, and depictions of religious and historical themes. Art experts claim that Rembrandt was able to create more than 600 paintings, 400 etchings, and 2,000 drawings, but these figures are not certain.

Here are some of Rembrandt’s most famous works:

The Return of the Prodigal Son. This is an oil on canvas painting finished circa 1669. It is one of Rembrandt’s final works. The Return of the Prodigal Son depicts a parable from the Bible about a prodigal son returning to his father after wasting his inheritance. In the painting, you’ll notice the ragged state of the son’s clothing, kneeling and repentant in front of his father who was garbed in rich clothing. The expressive lighting and coloring in the painting effectively evoke repentance, compassion, and forgiveness.

The Anatomy Lesson of Dr. Nicolaes Tulp. Rembrandt was commissioned to paint this group portrait, The Anatomy Lesson of Dr. Nicolaes Tulp. The painting portrays a group of surgeons, surrounding a table while studying a corpse. Specialists have commended Rembrandt for the accuracy of the muscles and tendons of the corpse’ dissected arm. Rembrandt was 26 when he created this painting. The painting is displayed in the Mauritshuis museum in The Hague, the Netherlands.

The Return of the Prodigal Son by Rembrandt, c. 1669.

Danaë. Rembrandt portrayed Danaë, the mother of Perseus in Greek mythology. The 1636 painting shows his interpretation of the myth where Danaë waits for Zeus who impregnated her. It is a life-size painting, measuring 185 cm × 203 cm. Danaë is housed in the Hermitage Museum, St. Petersburg, Russia.

Jacob de Gheyn III. Jacob de Gheyn III is a portrait of one of Rembrandt’s contemporaries who was a Dutch Golden engraver. The painting measures 29.9 x 24.9 centimeters and because of its small size, it has been stolen four times since 1966. It is called “takeaway Rembrandt” due to the numerous theft incidents, the most recorded of any painting.

Belshazzar’s Feast. Belshazzar’s Feast is a 1635 painting portraying the Biblical story of Belshazzar and the writing on the wall. The setting is at a banquet wherein the characters show alarm, surprise, and amazement as they look at the handwriting on the wall. Rembrandt effectively used the technique called Chiaroscuro, wherein he manipulated light and shadow to give contrast and create volume and give a three-dimensional effect on objects.

The Night Watch. The Night Watch is the best known painting housed in the Rijksmuseum, Amsterdam, the Netherlands. The painting was commissioned by Captain Frans Banning Cocq who was one of the main characters in the artwork. It is widely known for its size (11.91 ft × 14.34 ft), effective use of Chiaroscuro, and perception of motion.

Image source: www.wikipedia.org

July 8, 2013

What are the Solvents Used in Oil Painting?

“Solvent” is the term most commonly used to identify the liquids that are added to oil paints to temporarily change the way they work when put on canvas. Solvents dilute oil, and dissolve fats and grease from oil paints. Aside from diluting oil paints, artists use solvents to dissolve resins and clean up the work area and paint brushes.

Solvents may have different uses but they have common characteristics:

Liquid
Volatile
Produce vapors
Flammable
May be hazardous to health

You may think that you should forget using solvents since they are harmful to your health, but with proper precaution and care of use, you’ll appreciate the benefits solvents bring to a painter’s work. There are many solvents available to an oil painter but you can just select a few for your work.

Turpentine. Turpentine is the traditional solvent used in oil painting and is commonly found in hardware stores. It easily evaporates and gives off harmful vapors which causes skin irritation. When buying, choose artist quality turpentine which is colorless, since the industrial type of turpentine may contain impurities. Turpentine is mostly called as “turps” and can also be called spirit of turpentine, oil of turpentine, genuine turpentine, English turpentine, distilled turpentine, and double rectified turpentine.

Mineral Spirits. Mineral spirits or paint thinner is best used for cleaning paint brushes and thinning paints. It is less expensive and less abrasive compared to turps but it still releases harmful vapors so take precaution when using it. Mineral spirits is also called “white spirits.”

Odorless Mineral Spirits (OMS). As the name says, Odorless Mineral Spirits doesn’t have an unpleasant odor which makes it more expensive than ordinary mineral spirits. It is used for thinning paint and cleaning brushes. OMS is available in different grades, depending on the amount of aromatic properties removed from it. The more refined the OMS, the safer it becomes.

Paint thinner. Paint thinners are synthetic-based solvents. Contrary to its name, it is more effective in cleanup than as a diluting substance of oil paints.

Citrus-based thinner. Citrus-based thinner has a pleasant smell and is used to clean brushes and dilute oil paints. It has a yellowish color and a citrusy smell. Use it with oil paints to dry the painting faster. It is a more environmentally-friendly solvent than turps.

Turpenoid. Turpenoid is a popular synthetic solvent that is odorless and colorless which is used as a substitute for turps. It is great for diluting oil paints as well as cleaning brushes.

Image source: http://www.huffingtonpost.com/

July 6, 2013

Tips for the Maintenance and Handling of Oil Painting

maintenance_Evans — Maintenance by David Larson Evans, 2012.

Oil paintings, whether you created yourself, acquired from an auction or an heirloom, have much value. You have to take care of its maintenance, handling, and storage. Paintings last a long time and to lengthen its beauty and life, proper care must be given to them. Museums and art galleries spend a lot and they go at great lengths just to keep and safeguard their paintings. As a painter or as an art collector, you must know some information on the maintenance and correct handling of your pieces. Here are some tips:

1. Handle the oil painting by the frame. Don’t touch the painting surface to avoid leaving natural oils from your skin.

2. An oil painting canvas is pliable, so don’t put an object at the front and behind the painting which could press the painting and leave a dent, or worse, cause a tear. If there is damage in the painting, you could do your own repair but if the piece is an heirloom or has much value, it’s better to ask a professional art restorer to do the repair.

3. When transporting an oil painting, place cardboard or thin plywood on both sides of the painting and put bubble wrap around it to secure the painting. Don’t stack paintings on top of the other.

4. When you are permanently storing a painting, put it in a custom-sized plywood container and brace the painting to avoid movements. Don’t store the painting in your attic or basement since the environment in these rooms are not favorable for paintings.

5. Don’t expose your painting under direct or extreme sunlight, cold, or humidity. These conditions will cause the paint to fall off, weaken the canvas in time, and ultimately damage your painting.

6. The best place to “store” a painting is by displaying it on a wall. Paintings are created to be viewed and admired, not to be hidden under the basement. Hang it in a place without extreme temperatures. Don’t hang it near or across a window, fireplace, or any room with much humidity.

7. Don’t hang paintings in hallways or any room where there are lots of movements and where it can be knocked or scratched. The best room for a painting would be a room where people are comfortable, a room where the temperature is controlled, not much heat or cold. Keep your paintings away from fireplaces, heaters and radiators.

8. Use two hooks when hanging a painting to provide enough support and balance. The painting should be high for people to see but not too high to put a strain on the viewer’s neck. If you are hanging a painting in your living room, the best spot is above the sofa, above head height of anyone sitting.

9. Use a soft-bristled brush to dust the surface of the painting to prevent dust from accumulating.

Image source: http://www.dailypainters.com

July 3, 2013

The Most Reproduced Oil Paintings in the World, Part 1

Poppy_Fields_near_Argentuil_Monet — Poppies, Near Argenteuil, Claude Monet, 1873.

Art students can learn painting techniques and styles by copying famous paintings in art history. Copying trains your hand and eye coordination and lets you get a deeper appreciation of the arts. You can learn the different styles and painting techniques by studying these notable paintings. It inspires you to create something beautiful as well.

In 2010, OverstockArt.com, an online business that sells painting reproductions, revealed the top 10 list of most reproduced paintings. If you are thinking which painting to copy, check out this list for inspiration.

1. The Starry Night by Vincent van Gogh
The Starry Night is among Vincent van Gogh’s most celebrated works. The subject of the painting is the night scene in the village Saint-Rémy-de-Provence, southern France. It was painted during the time Van Gogh spent inside an asylum in the same village. The painting is filled with movements and contrasts, from the colors used to the quietness of the village vis a vis the swirling night sky.

2. Café Terrace at Night by Vincent van Gogh
Vincent van Gogh was fascinated with nocturnal motifs and Café Terrace at Night was no exception. He was known for his innovative use of lines, textures, and colors. You can see the contrast between the yellows and blues to black paint he used in this piece. The roughness of the cobblestone street is a direct contrast to the smoothness of the cafe.

3. The Kiss by Gustav Klimt
The Kiss is an oil and gold leaf on canvas. It depicts a couple embracing with elaborate robes and ornamentation. Gustav Klimt used the Art Nouveau style in this painting. The male figure is identified with squares and rectangles while the female figure has circles and soft lines. The couple is intimately entwined while the rest of their bodies dissolve in a shimmering flat pattern.

4. Poppy Fields near Argenteuil by Claude Monet
Claude Monet lived in Argenteuil, France from 1871-1878. The countryside became a great inspiration for Monet. The vast, bright landscapes around the region allowed Monet to experiment plein-air painting. In the painting, you’ll notice that he used blobs of paints to represent the poppies and trees, creating just an impression of the landscape.

5. The Mona Lisa by Leonardo da Vinci
One of the most famous paintings in history, The Mona Lisa has been reproduced and copied by many artists. Leonardo da Vinci used the technique called sfumato wherein he used subtle gradation of tone and color. This technique blurs and softens the contours of the outline, creating an atmospheric effect and the facial features seem real.

Image source: http://www.webexhibits.org

June 30, 2013

Learn the Oil Painting Technique: Wet into Wet

Also known as Alla Prima (Italian for first attempt), wet-on-wet means you simply paint over wet paint. The goal in this technique is to finish the whole painting before the first paint dries therefore working fast is the key. Here are some things that you need to know about wet-on-wet painting.

• You start the wet-on-wet technique using thinned oil paint for drawing. Then you place spots of colors all over the painting to fill it in because the sketch usually dissolved or over-painted as the painting progresses. The painting can be adjusted slightly with glazes and highlights after it dries.

• Blending colors is easy with wet on wet technique. You can directly place one color onto your canvas, and then add other colors and blend with brush or knife to you desired shade. But you have to make sure that you mix colors rapidly and with clear understanding of color theory and keeping in mind the form that you’re trying paint. Expertise with brushwork is very important to do the trick.

• The beauty of wet-on-wet technique is that it sustains the fresh and spontaneous inspiration that come as you paint. For me it is the most intuitive way to paint. Creating a portrait with the technique will require expertise in mixing colors to match your subject.

• It may require few layers of paint to complete the painting, in which case it is easy to overfix the paints, which can look labored and weak. This is the stage where many beginners give up, but if you press on, you can master wet-on-wet technique and create works with the amazing freshness and spontaneity that only wet on wet can provide.

• When working wet-on-wet pull the brush along its length with the handle close to the surface. You get two strokes with a flat bristle brush, one side then the other, look at the brush for any paint it picked up and wipe it. Think of the brush hairs as if they were the fingers on your hand stroking the surface. This method allows wet paint to go over another (wet) color with clean results.

Using this technique have its advantages. One is you don’t need fine drawing skills. Blending is also quite easy in this technique so you don’t need extensive blending of colors. Lastly, your paintings can be completed quickly (about 2 hours to 2 days only) because you have to make sure that you’re working on wet paint.

This technique is quite advanced and requires a bit of painting experience. Using the Wet-on-Wet method, a dedicated practice and experimentation are all that is necessary to achieve masterpieces that you never imagined you can possibly do.

Paintings by Morris Hinson http://www.thumbartsguild.com/artist/mhinson.html

June 29, 2013

Learn the Oil Painting Technique: Blending

Color blending is a technique wherein two colors are combined to create another color. Each color has a separate blend factor that determines how much of each color is combined into the final product. There are different ways to blend colors and different ways with different medium. Today, I will share some techniques in color blending using oil paints.

How to start?
Once you’ve decided what colors you want to blend to create an effect, you might want to blend small amounts of each and check if it’s the color you’re looking for then you can make necessary adjustments. Move the brush in a way from one color into the other and back or in a zigzag motion. Wipe off any paint from your brush before you start blending or better yet, start with a clean, dry brush so you won’t add any extra paint that is not part of your color scheme.

Indigo sunset original oil painting, seascape by Gina De Gorna — Indigo sunset original oil painting, seascape
by Gina De Gorna
Image source: http://sunsetartonline.com

How to blend on canvas?
You don’t want the colors mix equally so stroking your brush sideways at least initially or else you’ll have strips of concentrated colors in your blended color. Remember to keep your strokes short and picking different percentages of blending. Keep repeating until it blends. As your tip gets thinner you get a smoother result, and once is smooth enough you can use blur or smudge tool to finish the job in case you want perfect gradients. If you think your blended color is not blending well or it’s too concentrated on canvas, all you need to do is to pick up a little fresh paint in the color that’s at risk of being lost then work from the outside or the darker shade until its blended. You can take your time blending with oil paints because they dry slowly unlike with acrylic paints.

What type of brush and brushstroke is best to use in blending?
Create a transition between the first two shades using a crosshatch stroke. Flat brushes tend to work best for blending. Smooth the blend by using parallel strokes along the transition you just created. The parallel strokes should be perpendicular to the lighter shades. Use a clean brush to blend the next shade, and repeat the technique using first crosshatched strokes followed by parallel stokes. A clean brush should always be used when working with a new shade, even if the actual color is the same.

June 29, 2013

Franz Kline: Master of Black and White

“I paint the white as well as the black, and the white is just as important.” – Franz Kline

When we talk about paintings, we visualize canvases filled with several colors portraying an extensive array of subjects. However, one artist became popular during the Abstract Expressionist movement in the 1940s to 1950s because of his black and white paintings.

Franz Kline is an American Abstract Expressionist is widely known for his large-scale black and white abstract paintings. In his early years as a painter, he started as a realist and primarily influenced by Old Masters. When he stayed in New York during the 1940s, he became friends with abstract expressionists including Willem de Kooning and Jackson Pollock which helped him develop another style and he was influenced to work with abstractions.

Kline’s abstract paintings are described as “dynamic,” “spontaneous,” and “intense” earning him the label as an “action painter.” He only used black and white paints on most of his works but nonetheless, they still show his intense style and less focus or no focus at all on the actual imagery. His works have been interpreted as landscapes, cityscapes, bridges, buildings, railroads and other industrial subjects. Some also likened his style to Japanese calligraphy. Kline denied any hidden message behind his paintings which interested a later generation of Minimalist artists.

Here are some of his celebrated works:

Painting Number 2 (1954)
Painting Number 2 is an oil on canvas measuring 6′ 8 1/2″ x 8′ 9″. It is displayed at The Museum of Modern Art.

Painting_Number_7_Kline — Painting Number 7

Painting Number 7 (1952)
Painting Number 7 is one of Kline’s best examples of black and white artworks. It shows broad, geometric black lines.

Untitled (1952)
This oil painting is done on paper which is mounted on canvas. It shows Kline’s signature strong, block lines.

Unfortunately, Kline has no catalogue raisonné or an official listing of his artworks. Many forgeries of his works have been traded and it is difficult to prove the authenticity of the paintings being offered in art auction houses. An article revealed that at least nine Kline paintings which have been traded in Christie’s (London and New York), Koller (Zurich), and Tajan (Paris) may have been fakes. There lack of catalogue raisonné risks private collectors and major auction houses in buying a seemingly original Kline painting which in the end would turn out to be just a forgery.

Image source: http://www.guggenheim.org/

June 28, 2013

Learn the Oil Painting Technique: Underpainting and Glazing

Underpainting

It is an initial layer of paint that will serve as a foundation and help define subsequent layers of paint for your painting. Underpaintings are usually monochromatic which reflects light through the over-painting layers and gives a painting the luminosity. There are several different methods of underpainting were used by the old masters.

· Grisaille
Pronounced as “griz-eye” this is a method of underpainting with different gray paints.

· Verdaccio
It is a method of underpainting with colors of olive or green gray paint in the light areas. It often resembles a moonlight effect.

· Imprimatura
This underpainting method usually uses transparent layers of earth colors (ra umber or burnt umber). It is used as first stain to tone the canvas.

· Wash-in Underpainting
A variation of the Imprimatura underpainting. The subject or composition can be drawn into a thin semi-transparent layer of raw umber or burnt umber. Rags, paper towels and paint brushes are used to lift out the paint exposing the lights to illuminate the subject.

Glazing

Glazes can change the hue and texture of a surface. Drying time will depend on the amount and type of paint medium used in the glaze. Different media can increase or decrease the rate at which oil paints dry. Oil paits usually takes longer to dry. If a paint is too opaque, painters will add special media or a lot of medium to the paint making them more transparent for the purposes of glazing. Glazing has the strongest impact on showing middle tones and dark colours.

Reproduction of Girl with a Red Hat by Jan Vermeer — Glazed reproduction of “Girl with a Red Hat” original by Jan Vermeer

Here are some tips on how to glaze oil paintings.

· Begin the oil painting as usual by sketching and putting visual resources as necessary, but do so as though the painting were going to be complete in one layer.

· Once completely dry, after a week or so, begin the next layer of paint. The glazes will soften the colours and deepen the tones. Each “glaze” slightly modifies the colour of what has already been painted on the canvas. When you look at it the colours are automatically mixed optically giving a rich deep colour.

· Putting a little linseed oil into the oil paint will create a translucent colour. Oil paint comes in transparent, semi-transparent, and opaque and you will learn which is which the longer you paint with oils. All paint colours can be used as glazes, even opaque paints, used as glaze to paint mist or fog.

· Apply the oil paint glaze onto selected areas. A second layer of slightly darker colour will deepen the colour without changing it completely.

Image source: www.easy-oil-painting-techniques.org

June 28, 2013

Most Famous Women in Paintings in the World Part 2

NPG 2082; Queen Elizabeth I by Unknown artist — The Darnley Portrait

Yesterday, I listed the women who were immortalized through paintings by famous artists. Now is the second half of this list.

6. The Darnley Portrait (circa 1575) by Unknown Netherlandish artist
The Darnley Portrait became the official template or face pattern of England’s Queen Elizabeth I in the 1590s. This portrait was constantly reused for all of the Queen’s official paintings in the said period. It shows the Queen with her crown and scepter, the symbols of sovereignty.

7. Girl with a Pearl Earring (circa 1665) by Johannes Vermeer
The Girl with a Pearl Earring is an oil on canvas masterpiece by Dutch painter Johannes Vermeer. It is considered the “Mona Lisa of the North” and the “Dutch Mona Lisa.” As with Vermeer’s other works, the true subject of this painting is unknown. There are several theories as who is the girl in the painting and many say that it is Vermeer’s eldest daughter Maria Magdalena.

8. Fritza von Riedler (1906) by Gustav Klimt
Gustav Klimt mainly painted with women as subjects and one of his paintings is Fritza von Riedler. It is one of the first portraits that Klimt created which shows a woman who is sitting and is adorned with frothy lace in her gown and satin ribbons on her head. The painter filled the canvas with decorative elements, similar to the Portrait of Adele Block-Bauer. Not much is known about the woman behind the painting but it is one of his most famous paintings.

9. L’Arlésienne: Madame Joseph-Michel Ginoux (1888-89) by Vincent van Gogh
The subject of Vincent van Gogh’s L’Arlésienne painting was Marie Ginoux, the owner of the Café de la Gare in Arles, France where the painter lived for a few months. Van Gogh created several versions of the painting which depicts Marie seated at a table with books. The first version was painted on burlap and the second version was on a pre-primed canvas and instead of books, Van Gogh put a parasol and gloves in the painting.

10.Portrait of Madame X (1884) by John Singer Sargent
The Portrait of Madame X, also known as Madame X, is a portrait of a young socialite Virginie Amélie Avegno Gautreau, wife of Pierre Gautreau. The subject was in a standing pose with her head turned to the left, creating a profile. The painting created a scandal among the Parisian elites as it showed the socialite in a low-cut black satin dress, unflattering white make-up, and one dress strap hanging off one shoulder.
Image source: http://www.npg.org.uk/