Category: Information

July 11, 2013

5 Ways Artists Can Protect Themselves From Online Scams

The information age makes its easier for artists to introduce, promote, and sell their paintings using the Internet. Artists can use the services of numerous online art galleries and social media networks to establish their art business. They can also set up their own art website or art blog as platforms for their online business. The Internet makes it easier for artists to do business but unfortunately, there are scammers who also take advantage of technology. As an artist, you must protect yourself and prevent becoming a victim of art scams.

Ways to protect yourself against fraud:

1. Be skeptical. If you receive an email or an offer that’s too good to be true, it probably is. Artists are vulnerable to these scams because they are hungry for fame, excited to make that first sale, and eager to make connections in the business. Signs to look for in a scam email: wrong grammar and spelling of words, urgency to buy, and the so-called buyer insists on arranging the shipment of the painting. Check out the Internet for the lists of email scams, including popular scammer names and email addresses.

2. Establish strict rules on accepting check payments and money orders. To protect yourself, never accept postdated checks, third-party checks, and checks where the amount is more than the agreed upon price for the artwork. Don’t accept overpayment wherein you have to refund the excess amount. For money orders, request the buyer to send payment from a trusted, domestic bank.

2. Make sure the payment is correct and has been cleared. Do not ship the painting unless the check or money order has been cleared in your bank. It takes three weeks or longer before a bank clears checks and if the check you’ve deposited turned to be a counterfeit, your bank may charge penalty fees on you.

3. Protect all online transactions. Use a trustworthy online payment service such as PayPal which protects both you and the buyer. If you’re buying art online, see if the web address starts with “https” or has a padlock symbol. These signs mean that the website where you are placing payment is secure and financial information such as your credit card number is encrypted when it is sent.

4. Be vigilant against computer viruses, trojans, malware,etc. Use the latest anti-virus and anti-spyware programs and keep them updated. If a virus attacks your computer, it can lead losing all your files, including the commercial photos of your paintings. Activate the firewall to prevent online criminals from accessing your computer and getting vital information on your art business.

5. Report scams. If you’ve been a victim of fraud, report it to your State Attorney General’s Office of Consumer Affairs. You can also file a complaint with the Federal Trade Commission.

Image source: www.cnn.com

July 10, 2013

Famous Abstract Artists

kandinsky.comp-8 — **Composition VIII Solomon R. Guggenheim Museum, New York**

1. Wassily Kandinsky (1866-1944)
Russian-born artist, Wassily Kandinsky, is acutely sensitive to the world around him and often felt overpowered by the sensations and emotions he experienced in response to it. Relaxation did not come easily to Kandinsky and he has inability to switch off from the world. During a performance of Wagner’s opera Loenghrin, he experienced the mighty sound of the symphony orchestra in a whole range of vivid colours that evoked scenes of Moscow. He knew immediately that he wanted to paint them. It is likely that Kandinsky had the condition known as “synaesthesia” which allowed him to hear colour and see music. Luckily for us, through painting, he found the means to use this unusual ability to make a remarkable contribution to the world of modern art.

2. Robert Delaunay (1885-1941)
Robert Delaunay was known for his bold use of color and geometric shapes. His paintings showed contrasts and harmonies of color produce in the eye simultaneous movements and correspond to movement in nature. His work using coloured ‘simultaneous discs’ was influenced by the research of the 19th century chemist Eugene Chevreul who concluded that “Two adjacent colours, when seen by the eye, will appear as dissimilar as possible”. Delaunay’s work encourages us to see the world with fresh eyes, to notice the shape and colour of the world around us. It fills us with feelings of light and optimism. It calls us to embrace the world and our sense of place in it.

3. Mark Rothko (1903-1970)
Mark Rothko’s work matured from representation and mythological subjects into rectangular fields of color and light. The most important aspect of painting for Mark Rothko was the creation of space within it. For him, artists were seekers of truth and adventure. He sought to communicate his understanding of the world, not through colour, but through a sense of space within the work. His paintings are powerfully meditative and draw us in, enveloping us and taking us to a quiet, reflective and emotional place.

**Number 1, 1950 (Lavender Mist), 1950, oil, enamel and aluminum on canvas by Jackson Pollock**

4. Jackson Pollock (1921-1956)
Jackson Pollock paintings are some of the most recognisable and thrilling images produced in the 20th century. Pollock was dubbed ‘Jack the Dripper’ by Time magazine due to the unusual way he liked to drip and splatter paint onto his canvas. Some of the inspiration for his paintings came from the Native American sand art he saw as a child and his own method of working resembled a form of ritualised dance around the canvas which was laid out flat on the floor.

abstract5 — **Louisiana Lottery Co. by Frank Stella**

5. Frank Stella (1936 to present)
Known for his work in the areas of minimalism and post-painterly abstraction, Frank Stella is the man who most famously said “what you see is what you see” does not deal with mystery in art. His artwork is resolutely and confidently abstract, formal and somehow definite with its hard edges and flat, sometimes exuberant color. Stella has been a phenomenally successful artist from very early in his career when he caught the attention of the art world with his series of ‘Black Paintings’.

Image source: Art.com

July 10, 2013

Guidelines for Artists in Packaging Paintings for Shipment

Transporting artworks is part of an artist’s life. If you have an out-of-town exhibition or seminar, running an art business, or selling and collecting paintings, shipping paintings is very important. Shipping paintings can be a bit risky. Paintings are delicate and you must take utmost care in packaging, and handling them.

Here are some guidelines to help you in packaging paintings. Note that, despite best efforts, there are still some uncontrollable factors such as bad weather, untrained art handlers, rough roads, etc. that could damage your paintings while in transit. These guidelines will help you send your paintings safely and lessen the damage (if any).

Before shipping
1. Assess your shipping needs. Know the size, medium, and condition of the painting. Fragile, old, or antiquated paintings will be more damaged when shipped so it’s better to transport paintings which are less fragile. But, if you really need to ship a painting that is fragile, you have to take a different approach in packing and shipping it.

2. Consider the distance the painting has to travel. The farther the painting has to move, the more vulnerable to damage it gets. When the painting has to be shipped in great distances, remember that many handlers will be in between Point A to B.

3. Decide which transportation is best to use in moving your painting. Can you move your painting by hand, by car, by truck, or by plane?

4. If you will need a shipping company, search for a trustworthy company and determine the policies, restrictions, and cost of their service.

Packaging
Packaging your painting by yourself can save you money, if done correctly and with the right supplies. Here are the steps:

1. Make sure you have these packing supplies on hand, especially if you’re running an art business.

Boxes
Palette tape & wrap
Cardboard pads
Bubble wrap
Packing tape
“Fragile” stickers

2. Measure the dimensions of the painting. Give a 2″ allowance all around the piece which will serve as a buffer against the outside world.

3. Starting from the back of the canvas, wrap the palette wrap tightly around the painting and cover the entire surface.

4. Cut small slits on the plastic at the back of the painting to let the piece “breathe.”

5. Put the cardboard padding on the table. Place the painting on top of the cardboard padding and measure the width and depth of the painting. Double these measurements and add few more inches if you want and mark these on the cardboard.

6. Cut the cardboard using the measurements. Create a second box using the cardboard padding. Put the painting inside and secure the box with the packing tape.

7. Tightly wrap the bubble wrap around the second box. Tip: Put another layer of bubble wrap on the edges of the box as extra cushion since the edges of the painting or the frame are more prone to damage when shipping.

8. Put the bubble-wrapped second box into the outer box. Fill any spaces with additional bubble wrap. If there are a lot of extra spaces, you can opt to cut the outer box to fit the second box.

July 9, 2013

Abstract Art: A Visual Expression of Emotions

Abstract art started in the year 1911 by the Russian artist Wassily Kandinsky (1866-1944). It became a trend in the twentieth century and became famous because it breaks away from traditional representation of physical objects. Either it’s in the form of a canvas painting or a sculpture of different medium, abstract art is a visual language of forms, lines, colors and different shapes to interpret a concept, without necessarily providing a recognizable visual reference point for the viewers. Abstraction later manifested more formal terms, such as color, simple geometric designs and freedom from objective context.

Robert Delaunay - Premier Disque — Robert Delaunay – Premier Disque

The important connection is that abstract art engages and challenges the intellect but it also engages and challenges the emotions. To fully appreciate it, the viewer has to let go of a need to understand what the artist is trying to say and instead tune into their own interpretation and response to the piece.

As an abstract artist, you express yourself in a way that allows your audience to find his own personal response to the work. Many artists, who call their work abstract, actually do have a subject in mind when they paint. You can take a figure or landscape and simplify it, exaggerate it, or stylize it in some way. You can also use nature as a starting point but express it in different forms and shapes. Color, line, and form are more important than the details of the actual subject matter. The idea is you want to give a sense or feel for the subject rather than an exact replication.

Sonia Delaunay - Prisms Electriques (This painting is made extra special by the reference to great swiss/french poet Blaise Cendrars!) — Sonia Delaunay – Prisms Electriques
(This painting is made extra special by the reference to great swiss/french poet Blaise Cendrars!)

Abstraction indicates a departure from reality in depiction of imagery in art. May it be partial or complete, abstraction is departure of the image to its representation. Artwork which takes liberties altering for instance, the color and form in ways, are conspicuous and with a sense of continuum, can be said to be partially abstract. Total abstraction bears no trace of any reference to anything recognizable.

In summary, the simplified meaning of abstract art is an art that relies on the emotions and mood of the artist and the elements of design rather than exact representation of a subject. This broad definition allows you as an artist to almost unlimited freedom of ideas and expressions. You can create compositions that have no pattern in nature or any subject. You can also work from nature and then interpret your subjects in a non-objective manner.

Image source: http://www.holidayclubrecordings.co.uk

July 9, 2013

How to Use Gesso on a Canvas

Gesso? What is it?

Most beginners in painting may be unfamiliar with the word “gesso.” It’s a highfaluting term that could leave a novice dumbfounded. But, don’t fret. In this post, I’ll try to shed light on this and hopefully, we can understand what gesso is all about.

Encyclopaedia Britannica defines gesso (pronounced ‘jesso’) as:

“a fluid white coating, composed of plaster of paris, chalk, gypsum, or other whiting mixed with glue, applied to smooth surfaces such as wood panels, plaster, stone, or canvas to provide the ground for tempera and oil painting or for gilding and painting carved furniture and picture frames.”

Basically, gesso is a substance used to prepare or prime a canvas before you can use it in painting. It was traditionally used by oil painters so the oil paints would adhere to the canvas. Gesso is used to protect the canvas fibers, smoothen the surface, and give flexibility to the canvas.

Is there a difference between an oil gesso and an acrylic gesso? Yes, their ingredients. Traditional oil gesso, also called glue gesso, contains an animal glue binder (usually rabbit-skin glue), chalk, and white pigment. Acrylic gesso is made of an acrylic polymer medium (binder), Calcium carbonate (chalk), a pigment (Titanium white), and chemicals for flexibility and longer life.

Acrylic gesso doesn’t contain glue since acrylic paints is not corrosive, unlike oils. The glue in the glue gesso is absorbed by the fibers of the canvas which protects it from the corrosive nature of oil paints. Many artists use acrylic gesso because of its versatility, quick drying time, convenience, flexibility, and ease of use. Some artists claim that it can be used as ground when painting in oil but some argue that the flexibility of the acrylic gesso will cause the oil paint to crack over time.

An acrylic painter could choose not to use acrylic gesso if he wants the staining effect of acrylic paints on canvas. For beginners, it’s better to prime the canvas first, or use a pre-primed canvas since you are still practicing your painting skills. CanvasLot offers pre-primed canvas in various sizes so you won’t go into the trouble of priming your canvas.

If you are a beginner in oil painting, you can use acrylic gesso but just make sure that the canvas has been properly sized. If you are creating a portrait, or planning to create a masterpiece or something like an heirloom to your family, it’s better to use the oil gesso since the oil paint will stick better to it than to an acrylic.

You can buy acrylic gesso in most art supplies shops and it is available in artist quality and student quality. As with other art supplies, the artist quality acrylic gesso is more expensive and has higher quality than the student gesso. For priming a canvas, use the artist quality gesso.

Image source: www.wikipedia.org

July 8, 2013

What are the Solvents Used in Oil Painting?

“Solvent” is the term most commonly used to identify the liquids that are added to oil paints to temporarily change the way they work when put on canvas. Solvents dilute oil, and dissolve fats and grease from oil paints. Aside from diluting oil paints, artists use solvents to dissolve resins and clean up the work area and paint brushes.

Solvents may have different uses but they have common characteristics:

Liquid
Volatile
Produce vapors
Flammable
May be hazardous to health

You may think that you should forget using solvents since they are harmful to your health, but with proper precaution and care of use, you’ll appreciate the benefits solvents bring to a painter’s work. There are many solvents available to an oil painter but you can just select a few for your work.

Turpentine. Turpentine is the traditional solvent used in oil painting and is commonly found in hardware stores. It easily evaporates and gives off harmful vapors which causes skin irritation. When buying, choose artist quality turpentine which is colorless, since the industrial type of turpentine may contain impurities. Turpentine is mostly called as “turps” and can also be called spirit of turpentine, oil of turpentine, genuine turpentine, English turpentine, distilled turpentine, and double rectified turpentine.

Mineral Spirits. Mineral spirits or paint thinner is best used for cleaning paint brushes and thinning paints. It is less expensive and less abrasive compared to turps but it still releases harmful vapors so take precaution when using it. Mineral spirits is also called “white spirits.”

Odorless Mineral Spirits (OMS). As the name says, Odorless Mineral Spirits doesn’t have an unpleasant odor which makes it more expensive than ordinary mineral spirits. It is used for thinning paint and cleaning brushes. OMS is available in different grades, depending on the amount of aromatic properties removed from it. The more refined the OMS, the safer it becomes.

Paint thinner. Paint thinners are synthetic-based solvents. Contrary to its name, it is more effective in cleanup than as a diluting substance of oil paints.

Citrus-based thinner. Citrus-based thinner has a pleasant smell and is used to clean brushes and dilute oil paints. It has a yellowish color and a citrusy smell. Use it with oil paints to dry the painting faster. It is a more environmentally-friendly solvent than turps.

Turpenoid. Turpenoid is a popular synthetic solvent that is odorless and colorless which is used as a substitute for turps. It is great for diluting oil paints as well as cleaning brushes.

Image source: http://www.huffingtonpost.com/

July 7, 2013

Tips for Caring and Handling Acrylic Paintings

Acrylic paints were introduced in the 1950s, much later than oils, but museums, galleries, and art collectors have included many acrylic paintings in their collections. Artists have experimented and used acrylics on canvas for its versatility of use and quick drying time. The properties of acrylic paints differ from oils so the maintenance and caring for acrylic paintings is different from oil paintings. Since acrylic paint is relatively new compared to oil paints which have been used in art for centuries, people are just starting to know its aging characteristics. For now, the best way to preserve and lengthen the life of acrylic paintings is by preventive care.

Here are the tips for caring and handling acrylic paintings:

Cleaning
Currently, there is no concrete guideline how to clean an acrylic painting. Below are just suggestions that you can do at the moment.

1. Use a clean towel or a feather duster and lightly remove the dirt on the surface of the painting. Acrylic paintings gather dust more easily than any other medium so you may have to dust them frequently.

2. If you want to keep off the dust, put the painting in a protective frame. Acrylic paintings have electrostatic charges on the surface which attracts dust and a protective frame will prevent dust from accumulating.

3. Don’t use water, soap, or household cleaners when cleaning acrylic paintings. Most cleaning agents have ammonia which can damage your painting. When you use cleaning sprays in your house, make sure that your acrylic painting is not nearby when you are cleaning to avoid excess droplets of the spray go to the paintings.

Maintenance

1. Keep acrylic paintings away from direct or extreme heat, cold, and humidity. Acrylic paint becomes soft around 60° so display your paintings far from ovens, stoves, heating lamps, or any other source of heat inside the room.

2. Don’t touch the surface of an acrylic painting. Your fingernail may accidentally leave a dent or put extra pressure on the painting which will lessen the value of the piece.

3. Mold growth is a common issue in acrylic paintings. There is no solution for it yet that would retain the original paint of the piece. The best way to lessen mold on the surface is to hang the painting in a room where there is less humidity.

Transporting

1. Put the acrylic painting in an effective packing case that would protect it from damage. According to this website, a packing case should be able to do the following:

Support the painting, insulation and cushioning foams
Protect the contents from impact and puncture without serious distortion
Maintain a sealed environment
Protect against intrusion of moisture
Provide handles for lifting and moving
Survive a multi-venue tour without compromise of any of the above functions

2. Include instructions for unpacking and repacking outside the container. The recipient may not know the proper way of unpacking the painting so proper instructions should be provided by the sender. These instructions are important especially if there is a dispute about any damage caused by shipping, unpacking, or repacking of the painting.

3. If you have to transport the painting by rolling it, here are tips:

Allow enough time for the painting to be completely cure.
Put a polyethylene plastic onto the surface of the painting before rolling.
Roll and unroll the painting at room temperature. A heated room will melt the paint while a cold room will cause cracking.
Roll the painting loosely and evenly to prevent adhesion or ferrotyping.
Once packed, secure the painting with a tape.

Image source: www.goldenpaints.com

July 5, 2013

How to Repair a Damaged Canvas

You’ve finally finished your masterpiece. After hours and days laboring on your painting, carefully putting your inspiration on canvas, you’re excited to display it. Unfortunately, you or someone else accidentally ripped a small area on your painting. What do you do?

Don’t panic. There are two ways to repair a torn, ripped, punctured, or damaged canvas: patching or lining. Before fixing your canvas, you have to consider some factors that would affect the end result of your repair. If the damage is small, patching would be a good remedy. Patching is a quick and easy solution to tiny punctures, L-shaped tears, and small tears. For damages affecting a large area or if the small tears are located in several areas, lining is the best way to fix the canvas. For old oil paintings, professional art restorers prefer to do lining since most aged canvas are brittle, fragile, and more susceptible to damage when not reinforced.

Patching
Here are the steps for patching a canvas:

1. Smooth out the area where the tear is located. Clean up any fibers that may have unraveled.

2. Cut a piece of canvas with at least an inch wider than the tear. If you have a lighter weight canvas than the one you’re repairing is best to use.

3. Glue the patch at the back of the tear. Use acrylic-gesso or an acid-free glue in patching. Apply a thin layer of glue to the patch. If you use too much glue, it will only squeeze out of the patch and get on the front of the canvas which will leave an unnecessary stain.

4. While the glue is still wet, check the tear at the front of the canvas. Use a pair of tweezers to put back loose threads in place. Carefully arrange the threads to fill the damage.

5. Inpaint the patched area, if needed. If it’s your own work, it would be easier to repaint the repaired area.

Tips:

Work with patience and care.
Hire a professional art conservator or restorer for fixing valuable and antique paintings. They can do a more refined repair of an old painting.
Patching done in a busy area of the painting is less noticeable than a patch in a solid area.
Just because the patch is located behind the canvas, doesn’t mean you will do a sloppy repair. Make the patch neat and professional-looking so if someone sees the repair, they won’t be dismayed with the whole painting.

Image source: http://painting.about.com

July 4, 2013

The Most Reproduced Oil Paintings in the World, Part 2

The_Dream_Picasso — Le Rêve by Pablo Picasso, 1932.

Here is the rest of the list of the most reproduced oil paintings according to Overstockart.com. You can read the first half here.

6. Le Rêve (The Dream) by Pablo Picasso
Le Rêve is a 1932 oil on canvas masterpiece by Pablo Picasso. As one of the most illustrious painters, art students have used Picasso’s paintings in training. Picasso used oversimplified lines, contrasting colors, and distorted depiction of his mistress. It was painted during the period when he was using women as subjects, different from his earlier works in the the Blue Period and Cubism period.

7. Luncheon of the Boating Party by Pierre August Renoir
Luncheon of the Boating Party portrays a group of Pierre Renoir’s friends relaxing and having lunch on a balcony at the Maison Fournaise restaurant in Chatou, France. Renoir effectively used color, texture, and shapes to convey space among the characters. He used mostly warm colors, from red to gold, the colors primarily used during the Impressionist period.

8. The Scream by Edvard Munch
The Scream shows a somewhat neurotic, hairless figure who is shouting. Edvard Munch created four versions of this piece (in oils, pastels, and tempera). Many interpretations have been given to this painting — the iconic figure is in turmoil, desperate, shocked, anxious, or frightened. The painter used explosive strokes, contrasting colors and lines. He used soft curves in reds and oranges to represent the sky, and strong, straight lines in black and brown paints for the bridge.

9. Red Canna by Georgia O’Keeffe
Red Canna is an artistic representation of a flower. Georgia O’Keeffe depicted natural sources using abstract patterns. The painting shows the enlarged petals of the flower, as if under a microscope. Colors used are mostly reds, yellows, and blues. O’Keeffe said flowers are small that nobody notices them and this painting shows how she sees a flower, and she painted the size bigger than reality.

10. Persistence of Memory by Salvador Dali
Persistence of Memory is a surrealist painting, showing images of soft, melting watches. The presence of ants in the orange watch represents death. Looking at the painting, it seems like an image from a dream. It is the best example of Salvador Dali’s theory of “softness” and “hardness.” Dali clarified that contrary to some interpretations that this piece was inspired by the Theory of Relativity, the painting was just a depiction of a Camembert cheese melting under the sun.

If you are a beginner in painting, you can try to copy any of these paintings so you can experiment on different techniques and color palettes.

Image source: http://www.pablopicasso.org

July 3, 2013

Top 10 Art Exhibits in the United States for 2013

For artists and art enthusiasts, finding great new inspirations from artworks from various artists is a must. For 2013, here’s a list of the best exhibits that made admiring art into new dimentions.

1. Angles, Demons, and Savages: Pollock, Ossorio, Dubuffet
An exhibition of work by American artists Jackson Pollock and Alfonso Ossorio, as well as French painter Jean Dubuffet held in Phillips Collection, Washington, DC last February 9- May 12, 2013. The exhibit displayed around 53 paintings and drawings that show a visual friendship enjoyed by all three artists.

exhibit1 — IMAGE: Enamel and oil on canvas
The Metropolitan Museum of Art, New York

2. William H. Johnson: An American Modern

An exhibition of the work of modern American artist William Henry Johnson, the self-described “primitive and cultural painter” held in Georgia Museum of Art last February 16- May 12, 2013. The exhibit included some of the artist’s famous artworks such as Twenty landscapes, still-lifes and portraits including the iconic “Blind Singer” and “Aunt Alice.”

3. Chagall: Beyond Color
A look at the paintings, sculpture, ceramics and collage of the Russian-French artist, Marc Chagall held in Dallas Museum of Art last February 17th – May 26th, 2013. The exhibit also includes a display of costumes made by Chagall in 1942 for the production of the ballet “Aleko,” choreographed by Léonide Massine with music by Pyotr Ilyich Tchaikovsky.

exhibit3 — IMAGE:
Marc Chagall, Double Portrait with Wine Glass (Double Portrait au Verre de Vin)1917-1918
Oil on canvas

4. Kehinde Wiley: The Memling Series
Displays a new series of paintings by the New York artist Kehinde Wiley, who is known for his knack for re-envisioning classical styles of portraiture held in Phoenix Art Museum, N. Central Avenue Phoenix, AZ last February 20th – June 23rd, 2013. The exhibit includes eight paintings based on the work of Hans Memling, the Flemish master painter of the Northern Renaissance.

5. Impressionism, Fashion, and Modernity
The exhibit displays survey of the fashion trends that appeared in the works of the Impressionists and their contemporaries held in The Metropolitan Museum of Art last February 26th – May 27th, 2013. Around eighty major figure paintings seen in conjunction with period costumes, accessories, fashion plates, photographs, and popular prints that also show the relationship between fashion and art at this time.

6. Frida Kahlo, Diego Rivera and Masterpieces of Modern Mexico
An exhibition of works collected by Jacque and Natasha Gelman, Eastern European ex-pats who became Mexican citizens in 1942 and subsequently acquired art by Diego Rivera, Frida Kahlo, Rufino Tamayo, David Alfaro and more. The exhibit is now being held in Nelson-Atkins Museum of Art started last May 25 all the way through August 18, 2013. There are more than 100 paintings, sculptures, photographs, and drawing in the exhibit.

7. Fernand Leger and the Modern City
Using Fernand Léger’s 1919 work, “The City,” as a jumping off point, the exhibit showcases the French artist’s array of paintings, all of which incorporate forms of cultural production central to modern cities, like graphic and advertising design, theater, film, and architecture. To be held in Philadelphia Museum of Art on October 2013 – January 2014. The exhibit will display over one hundred Leger works from collectors and institutions across Europe and the US.

8. Wayne Hollowell’s “Drama Queen”
This exhibit features a dazzling display of pop culture portraits just in time for NYC Pride held in Michael Mut Gallery, New York last June 26-30, 2013.

9. Enrico David
An exhibition of Italian-born artist, Enrico David, known for his figurative multimedia works that reveals a dark underworld of surreal, craft-informed creatures held in Hammer Museum last January 12th – May 5th, 2013. The collection included paper mummies, hand-crafted tapestries and cavernous paintings.

10. The Artist and the Poet
Planned to coincide with the institute’s “Picasso and Chicago” exhibition, the array of prints and drawings reveal the collaborative relationship between artists like Pablo Picasso, Robert Motherwell and David Hockney and poets such as Max Jacob, Rafael Alberti and Wallace Steves, respectively. Held in The Art Institute Chicago last February 1st – June 2nd, 2013. The collection includes “Skin with O’Hara Poem” (1963–65), a print by Jasper Johns that was inspired by the poet Frank O’Hara.

Source:Huffpost Arts & Culture http://www.huffingtonpost.com