When you’re standing in front of a blank canvas, one of the first questions you’ll face is what paint should I use? The answer isn’t one-size-fits-all but understanding the properties of the main paint types makes choosing easier whether you’re just starting or have years in the studio.
There’s something thrilling about standing in front of a large canvas. The scale invites bold decisions, expressive gestures, and a physical connection to your art that smaller formats simply can’t match. But that sense of freedom can also come with challenges: intimidation, proportion issues, time management, and even fatigue. Here’s a guide to help you approach large canvases with confidence and clarity.
Getting a smooth finish on canvas, one where the paint flows beautifully and transitions look seamless, is something many painters work toward, whether you’re just starting out or have been in studios for years. The good news? It’s as much about preparation and technique as raw talent.
If you’ve ever wondered why so many painters talk about preparing their canvas before laying down color, you’re in the right place. Taking the time to prime and prepare your canvas pays off in ways that go far beyond neatness. It changes how your paints behave, how your colors look, and how your finished work feels.
If you’ve ever felt pulled between studio time and business tasks, know this: balancing creativity with business is a dynamic practice, not a fixed state. Some habits and strategies help keep the paint flowing and the art career moving forward. Try these tips:
Every artist wonders at some point: What kind of art actually sells? Whether you’re trying to support your practice financially or just find an audience for your work, understanding what buyers tend to choose can help you make decisions without sacrificing your creative voice. Here’s a practical look at the types of art that tend to sell faster.
Artists spend time choosing materials, layering paint, and refining compositions, but once it’s finished, the big question usually comes up: Do I need to frame this canvas? The honest answer is it depends. There’s no strict rule, and both framed and unframed canvases have their place. What matters most is the artwork, your intent, and how you want it to be experienced.
Painting big feels different. It asks more from your body, your materials and your mindset. Whether you’re stretching your first oversized canvas or prepping for a mural, large-scale work pushes you into new territory. Here are practical tips that make the jump easier and a lot more enjoyable.
If you’ve ever shown your work and wondered, “Do I really belong here?”, you’re in good company. Most artists, from beginners to established professionals, wrestle with the fear that their work won’t be taken seriously. That fear doesn’t mean you’re failing. It means you care. The real challenge is learning to create anyway.
Here’s how to build genuine confidence and move past the worry that your art isn’t “legitimate.”
Hanging an acrylic painting might feel simple, but it’s surprisingly easy to make mistakes that could damage the work or its presentation. From a studio standpoint, taking time to do it right matters. Whether you’re an amateur, a seasoned painter, or an art lecturer setting up student work, here’s a guide to hanging your acrylic paintings.