If you’ve ever wondered why so many painters talk about preparing their canvas before laying down color, you’re in the right place. Taking the time to prime and prepare your canvas pays off in ways that go far beyond neatness. It changes how your paints behave, how your colors look, and how your finished work feels.
If you’ve ever felt pulled between studio time and business tasks, know this: balancing creativity with business is a dynamic practice, not a fixed state. Some habits and strategies help keep the paint flowing and the art career moving forward. Try these tips:
Every artist wonders at some point: What kind of art actually sells? Whether you’re trying to support your practice financially or just find an audience for your work, understanding what buyers tend to choose can help you make decisions without sacrificing your creative voice. Here’s a practical look at the types of art that tend to sell faster.
Artists spend time choosing materials, layering paint, and refining compositions, but once it’s finished, the big question usually comes up: Do I need to frame this canvas? The honest answer is it depends. There’s no strict rule, and both framed and unframed canvases have their place. What matters most is the artwork, your intent, and how you want it to be experienced.
Painting big feels different. It asks more from your body, your materials and your mindset. Whether you’re stretching your first oversized canvas or prepping for a mural, large-scale work pushes you into new territory. Here are practical tips that make the jump easier and a lot more enjoyable.
If you’ve ever stood in an art store trying to decide between a $10 canvas and a $40 one and wondered why they cost so differently when they’re both “cotton,” you’re not alone. Let’s clear the air. Not all cotton canvases are created equal, and knowing the difference can save you money, stress, and a lot of paint.
Here’s what actually separates the bargain bin from the premium wall.
Whether you’re a beginner experimenting with acrylics or a pro juggling gallery work, rising art supply costs can feel like a real creative barrier. Many contemporary artists have seen and felt that pinch but with a bit of planning and creativity, you can keep painting even when the budget tightens. Here’s how.
Whether you’re just starting out or have framed a few gallery pieces, certain pitfalls keep tripping up painters again and again. Here are those common art mistakes and how fixing them can really improve your work.
If you’ve ever shown your work and wondered, “Do I really belong here?”, you’re in good company. Most artists, from beginners to established professionals, wrestle with the fear that their work won’t be taken seriously. That fear doesn’t mean you’re failing. It means you care. The real challenge is learning to create anyway.
Here’s how to build genuine confidence and move past the worry that your art isn’t “legitimate.”
Hanging an acrylic painting might feel simple, but it’s surprisingly easy to make mistakes that could damage the work or its presentation. From a studio standpoint, taking time to do it right matters. Whether you’re an amateur, a seasoned painter, or an art lecturer setting up student work, here’s a guide to hanging your acrylic paintings.