Tagged: art

July 15, 2013

Dutch Master Rembrandt and His Most Famous Works

Today is Rembrandt’s 407th birthday!

Born Rembrant Harmenszoon van Rijn in 1606, he is the most celebrated Dutch artist and is considered as one of the greatest painters in European art history. Most of his masterpieces are self-portraits, portraits of other artists, and depictions of religious and historical themes. Art experts claim that Rembrandt was able to create more than 600 paintings, 400 etchings, and 2,000 drawings, but these figures are not certain.

Here are some of Rembrandt’s most famous works:

The Return of the Prodigal Son. This is an oil on canvas painting finished circa 1669. It is one of Rembrandt’s final works. The Return of the Prodigal Son depicts a parable from the Bible about a prodigal son returning to his father after wasting his inheritance. In the painting, you’ll notice the ragged state of the son’s clothing, kneeling and repentant in front of his father who was garbed in rich clothing. The expressive lighting and coloring in the painting effectively evoke repentance, compassion, and forgiveness.

The Anatomy Lesson of Dr. Nicolaes Tulp. Rembrandt was commissioned to paint this group portrait, The Anatomy Lesson of Dr. Nicolaes Tulp. The painting portrays a group of surgeons, surrounding a table while studying a corpse. Specialists have commended Rembrandt for the accuracy of the muscles and tendons of the corpse’ dissected arm. Rembrandt was 26 when he created this painting. The painting is displayed in the Mauritshuis museum in The Hague, the Netherlands.

The Return of the Prodigal Son by Rembrandt, c. 1669.

Danaë. Rembrandt portrayed Danaë, the mother of Perseus in Greek mythology. The 1636 painting shows his interpretation of the myth where Danaë waits for Zeus who impregnated her. It is a life-size painting, measuring 185 cm × 203 cm. Danaë is housed in the Hermitage Museum, St. Petersburg, Russia.

Jacob de Gheyn III. Jacob de Gheyn III is a portrait of one of Rembrandt’s contemporaries who was a Dutch Golden engraver. The painting measures 29.9 x 24.9 centimeters and because of its small size, it has been stolen four times since 1966. It is called “takeaway Rembrandt” due to the numerous theft incidents, the most recorded of any painting.

Belshazzar’s Feast. Belshazzar’s Feast is a 1635 painting portraying the Biblical story of Belshazzar and the writing on the wall. The setting is at a banquet wherein the characters show alarm, surprise, and amazement as they look at the handwriting on the wall. Rembrandt effectively used the technique called Chiaroscuro, wherein he manipulated light and shadow to give contrast and create volume and give a three-dimensional effect on objects.

The Night Watch. The Night Watch is the best known painting housed in the Rijksmuseum, Amsterdam, the Netherlands. The painting was commissioned by Captain Frans Banning Cocq who was one of the main characters in the artwork. It is widely known for its size (11.91 ft × 14.34 ft), effective use of Chiaroscuro, and perception of motion.

Image source: www.wikipedia.org

July 14, 2013

Types of Stretcher Bars

Stretcher bars play a major role in the appearance of a canvas artwork or Giclee printing. The quality of wood and the structure of the stretcher are the key to easy stretching which produces a better print quality and longer life for a canvas. It is also important that you choose the right stretcher for your canvas depending on the type of canvas you will use, the size of your artwork and weight and texture of the weave of the canvas. The following are the types of stretcher bars and their uses.

Medium/Standard Duty
Medium duty stretcher bars are the standard stretcher bars with raised and rounded edges which significantly reduce the friction of stretching. It provides a tighter and more even canvas face. It also reduces the stress placed on the canvas and the person doing the stretching, as pliers lever the canvas around the frame.

Light Duty
Light duty stretcher bars are great for those smaller paintings or giclee prints that will be framed or won’t benefit from a thicker bar. They have a beaded (rounded) edge that holds the canvas and flat part of the bar slightly apart. The rounded edge greatly relieves the stress on the canvas and person framing. A tighter, more uniform stretch is the result of this feature because the canvas flows around the smooth edge.

Medium/Heavy Duty- Goldilocks
Goldilocks medium or heavy duty stretcher bar is an expensive option because it is in demand for those who require a substantial side profile for their valuable art work. It adds to the intrinsic value of the art without having to spend more. This stretcher profile is frequently used for the stretching of giclee and other prints.

Heavy Duty-Midi
Heavy duty Midi bars offer you an exceptional quality at a very reasonable price. Like all other gallery wrap stretcher bars, their edges are created to impart a smoother stretching with less resistance. These light-weight bars are also perfect for reducing the overall weight of the frame. Straight-grained and lightweight these bars are perfect for also reducing the overall weight of the frame.

Super Heavy Duty
The super heavy duty gallery wrap stretcher bars are known for their impressive mass as well as strength. It is very useful when you have to stretch that large canvases and paintings. It is also ideal for smaller frame applications where very high tension is required. They are usually made with a brace at the back for added strength.

Image source: commons.wikimedia.org

July 14, 2013

Buy Fine Art From Amazon…Soon

Wall Street Journal reports that Amazon is discussing plans with about 100 art galleries in the US of selling fine art online. The e-tail giant plans to create another part in its site where it will offer unique paintings, prints, and other fine art pieces. Amazon has already organized cocktail receptions in Seattle, and other big art cities including New York and San Francisco, inviting galleries to join the plan.

According to WSJ, Amazon will charge the art galleries a monthly membership fee of $100 and will get a commission of 5-20%, depending on the sold artwork. Higher-prices pieces would be subject to lower commission rates. The membership fee would be waived for art houses which would partner with Amazon in selling high-end art until 2015. Amazon will be using a retail model, which means each artwork has a fixed price, unlike art auction houses where the highest bidder gets the art.

Online selling of fine art is a double-edged sword. Amazon’s plan is a great way for art galleries to reach more people. Art lovers outside the city such as New York would be able to buy great art without traveling to the city. At the comfort of their homes or offices, people can easily buy art, even without visiting the actual art gallery. However, a drawback of this plan is that people may be hesitant to buying expensive paintings without seeing the actual painting. Most likely, art buyers won’t pay six- or even seven-figures for something that they only see online. Unlike buying a book or a gadget online, serious art collectors would naturally want to see the artworks personally.

High-end online auctioneers such as Sotheby’s and Christie’s said there is a growing market for expensive art over the Internet. Sotheby’s BidNow program was able to sell a 16th century portrait of Giovanni Gaddi for $2 million in 2012. Christie’s have been accepting online bids since 2007. It revealed that 27% of its auction sales ($6.2 billion) last year came from online bidding and regular auctions. Christie’s was able to sell Edward Hopper’s oil on canvas painting entitled “October on the Cape” to an online bidder for $9.6 million.

As of now we’re not sure if Amazon’s plan to sell high-end art will come to fruition. In 1999, Amazon forged a partnership with Sotheby’s to sell fine art but it lasted for 16 months only because the jointly operated auction site, Sothebys.Amazon.com, failed to gain traction. Also, there are many online art galleries offering a wide range of art from numerous artists that already have established markets and loyal clientele.

Image source: www.gizmodo.com

July 13, 2013

How Stretcher Bars Are Made

A stretcher bar is a wooden frame that is used as wooden framework support (usually made from pine) on which an artist fastens a piece of canvas. It provides a steady tension to the canvas and gets the canvas artwork very flat and taut on the frame base, and thus makes it ready to be placed in a picture frame or to simply hang it as is. A stretcher can be bought ready-made as four parts that you just fit together, or you can just buy a pre-stretched canvas at canvaslot.com or you can just do it yourself. Here’s how.

Materials:
• 1×2 inches (2.5-by-5.1 cm) wood (4 pieces)
• Hand saw or power tools
• Miter block
• Staple gun
• quarter-round trim (4 pieces)
• Pencil
• Hammer
• Headless nails (not longer than the width of your quarter-round and 1×2 inch wood combined)

Step 1– Choose the type of wood you want to use. The sides should measure 1 by 2 inches (2.5 by 5.1 cm). Measure the wood according to the desired dimensions then cut with a forty-five degree angle at each end. You can use a miter box to make good, equal, 45 degree cuts at each end so that the wood fits together properly at the corners.

Step 2– Bring together the edges of the cut wood on a flat surface and use powered staple gun to secure the corners by placing 3 staples over the line where the corners come together. Staple the rest of the corners and do this on both front and back of the joints to make the entire frame become very strong and rigid.

Step 3– Cut the trim pieces with whatever tool you used on the other pieces of wood. Place one flat side of the quarter-round against the stretcher bars, and the other flat side facing outward. The curved edge of the quarter-rounds should be facing inward toward the center of the frame. The purpose of the quarter-round pieces is to raise the canvas off of the stretcher bars. To secure the trims to the frame, nail them with headless nails. Do this by spacing the nails at 4-inch (10.2-cm) intervals to keep it solidly in place.

When the entire frame is finished, it’s time to start stretching the canvas. By stretching your own canvas, you can not only save money, but get something you’re willing to experiment on. You also get a canvas that’s exactly the size you’re after.

Image source: www.younghouselove.com

July 13, 2013

Types of Painting Easels: An Introduction

Dictionary.com defines easel as “a stand or frame for supporting or displaying at an angle an artist’s canvas.” Easels are usually made of wood, steel, or aluminum and are available in different designs. Here are the different types of easels in the market:

1. A-frame or Lyre easel. The A-frame easel has a tripod design, meaning, two legs in front and one in the back. It provides a strong base for your painting and it’s small size makes it easy to move and store in your studio. The legs are collapsible so you can just fold the legs and keep it in your storage when you’re done painting. If you have a small space, an A-frame easel is perfect since it will not crowd your studio. A-frame easels can hold small size canvases up to 75″ canvases.

2. H-frame easel. As the name suggests, an H-frame easel looks like the letter “H.” It has parallel vertical posts and a horizontal crossbar support. It gives sturdier support compared to A-frame easel but it’s quite bulky. An H-frame easel can hold bigger canvases, up to 84″-96″.

3. Single mast easel. The single mast easel is the simplest type of easel. It doesn’t offer the same support as the A-frame and H-frame easels but because of its affordability, many art students and beginners opt to use it. It occupies less space (great for small apartments and school studios), is collapsible, and easy to store.

4. Giant easel. The giant easel is made for artists doing large-scale paintings. It can handle canvases taller than 8 ft so naturally, this easel is stronger and sturdier. Due to its weight, transporting a giant easel is not easy. If you are consistently working on large-scale paintings, use a giant easel but make sure that you have a dedicated studio where you can use and store it.

5. Convertible easel. The convertible easel, also called hybrid easel, is the most versatile among all other easels. You can position your canvas horizontally or vertically, depending on the surface needed by the medium you’re using. This easel can accommodate the needs of painters using oil, acrylics, watercolor, and pastels. If you’re an artist who uses several media, the convertible easel is best for you.

6. Table top easel. The table top easel can be placed on a table and allows the artist to sit while painting. It is great for those who work on small-scale paintings and those who have limited space in their room or studio. It is portable and stores easily.

7. Plein air easel. The plein air easel is the easel that you can use outdoors. It has tripod legs and can have drawers and shelf to hold your painting supplies and materials. It can hold canvases up to 45″-78″ high.

8. Bench easel. The bench easel combines an easel and a bench. The design allows you to sit while painting. It is collapsible so you can bring it anywhere. It is great for plein air artists, art teachers, or for those giving demonstrations.

9. Display easel. The display easel is not for painting, just for displaying paintings only. It is made of lighter material so it cannot hold heavy artworks. Use the display easel when you are having an art show or any event where you need to showcase your work.

10. Children’s easel. The children’s easel is created for kids. It is adjustable and most designs have two sides, allowing a couple of children to work on their paintings. It offers built-in storage where children can keep their art supplies.

Image source: www.wikipedia.org

July 12, 2013

Tips in Abstract Painting

The techniques used to create abstract art consist of either a pattern or random system of lines, shapes, colors, or splatters of paint. The overall flow of design needs to always be kept in the back of your mind as you add more and more to your creation. Your art techniques will be much like following a method of steps.

1. Layout
Sketch the patterns that you wish to create by drawing them in the canvas with a pencil charcoal. In this way, you are able to outline the figures that you want in the exact places. The great thing about learning how to paint abstract art is that you don’t necessarily require any form of subject matter. But this step is important for you to be consistent in your concept.

2. Background
This is the first layer of color you will be applying to your painting. This layer of paint is just the base of your painting so it has to be a thin layer. This is achieved by using small amount of turpentine to the color you are using. Try to make it a point that the color of your background will enhance the composition of your painting.

3. Top color
This is where you will start painting out the framework of your images over the Bottom Color. This is the time where you bring your sketch to life. Planning your colors will make your abstract art more interesting. Discover your own abstract art technique and don’t hesitate to be creative.

4. Details
This is where you put whatever small details that you find necessary before determining your art completion. This is also the step where you can add some more expressions and character to your abstract painting. There are no confines of rules when working with the imagination to produce a beautiful piece.
In order to properly learn how to paint abstract art, you first must begin to appreciate that a lot of what you are trying to produce on the canvas is governed by the nature of your own technique, intention and your inner vision. It takes a lot of passion and imagination to create an abstract art.
I believe you can never really learn how to abstract paint because it is more on an instinct. When trying to paint an abstract art for the first time, remember that you don’t really have to get it right. If you’re not satisfied with your work then keep on going. There is no finish line or mistakes in abstract painting. As long as you convey to your audience and have mutual (not necessarily the same) appreciation of your art.

Image source: www.wallpaperabstract.com

July 11, 2013

Tips on How to Understand Abstract Art

Interpreting an abstract art doesn’t have to be so complicated. Just like interpreting more realistic paintings, there is no fixed right or wrong way to look at it or understand it. . Here are some tips that you can take into account when viewing abstract art.

Claudie-Bastide-2 — Abstract art by Claudie Bastide www.claudiebastide.wordpress.com

• Create a connection with the art. The artist has probably carefully considered your role as the viewer of the painting and wants it to speak to you on some level. The connections you make with a piece of abstract art may discover a whole new meaning. Artists are open to hear what different viewers uncover in dialogue with their artwork, even if it’s nowhere near the artist’s original idea. Just the thought of allowing yourself to be taken in by their painting will make them feel satisfied with their art.
• Do not try to interpret abstract art by looking at the title given to the work. This will more often than not confuse you even more because you will try to look for the title in the painting instead of looking for the concepts and other more important things that the art can offer. Try not to be influenced by the title then you will see that it is so much easier to understand it, irrespective of what its name suggests.

Abstract art by Brian Potter www.brianjpotter.com

• Do not let other viewers to influence your interpretation when trying to figure out a piece of abstract art. This may lead you to believe that you do not ‘understand’ abstract art and you’ll try to modify your own interpretation. When seeing a work of abstract art, you have to see what the scene means to you and what emotions it evokes in your mind. It may not be the same as anyone else’s opinion, but this will be your unique interpretation of the work.
• See it as more than a single, isolated creation: there must be a context to truly appreciate a work of art. Every painting is created within a particular environment, and if you do not understand that environment, you will never be able to appreciate what the artist has to offer you. This is why, when you study the work of a particular artist, it makes sense to learn something about his life and the culture in which he lived.
• Do not focus on physical aspects of the art but instead try to see the energy, the darkness and brightness, and the shower of emotions that these things reflect and you will find that you finally ‘understand’ abstract art. Let your eyes play with the colors of the painting, slipping around the geometry, following the twirls, twists and turns, dipping in and out of the surface.

Image source: www.abstractartistgallery.org

July 11, 2013

5 Ways Artists Can Protect Themselves From Online Scams

The information age makes its easier for artists to introduce, promote, and sell their paintings using the Internet. Artists can use the services of numerous online art galleries and social media networks to establish their art business. They can also set up their own art website or art blog as platforms for their online business. The Internet makes it easier for artists to do business but unfortunately, there are scammers who also take advantage of technology. As an artist, you must protect yourself and prevent becoming a victim of art scams.

Ways to protect yourself against fraud:

1. Be skeptical. If you receive an email or an offer that’s too good to be true, it probably is. Artists are vulnerable to these scams because they are hungry for fame, excited to make that first sale, and eager to make connections in the business. Signs to look for in a scam email: wrong grammar and spelling of words, urgency to buy, and the so-called buyer insists on arranging the shipment of the painting. Check out the Internet for the lists of email scams, including popular scammer names and email addresses.

2. Establish strict rules on accepting check payments and money orders. To protect yourself, never accept postdated checks, third-party checks, and checks where the amount is more than the agreed upon price for the artwork. Don’t accept overpayment wherein you have to refund the excess amount. For money orders, request the buyer to send payment from a trusted, domestic bank.

2. Make sure the payment is correct and has been cleared. Do not ship the painting unless the check or money order has been cleared in your bank. It takes three weeks or longer before a bank clears checks and if the check you’ve deposited turned to be a counterfeit, your bank may charge penalty fees on you.

3. Protect all online transactions. Use a trustworthy online payment service such as PayPal which protects both you and the buyer. If you’re buying art online, see if the web address starts with “https” or has a padlock symbol. These signs mean that the website where you are placing payment is secure and financial information such as your credit card number is encrypted when it is sent.

4. Be vigilant against computer viruses, trojans, malware,etc. Use the latest anti-virus and anti-spyware programs and keep them updated. If a virus attacks your computer, it can lead losing all your files, including the commercial photos of your paintings. Activate the firewall to prevent online criminals from accessing your computer and getting vital information on your art business.

5. Report scams. If you’ve been a victim of fraud, report it to your State Attorney General’s Office of Consumer Affairs. You can also file a complaint with the Federal Trade Commission.

Image source: www.cnn.com

July 10, 2013

Famous Abstract Artists

kandinsky.comp-8 — **Composition VIII Solomon R. Guggenheim Museum, New York**

1. Wassily Kandinsky (1866-1944)
Russian-born artist, Wassily Kandinsky, is acutely sensitive to the world around him and often felt overpowered by the sensations and emotions he experienced in response to it. Relaxation did not come easily to Kandinsky and he has inability to switch off from the world. During a performance of Wagner’s opera Loenghrin, he experienced the mighty sound of the symphony orchestra in a whole range of vivid colours that evoked scenes of Moscow. He knew immediately that he wanted to paint them. It is likely that Kandinsky had the condition known as “synaesthesia” which allowed him to hear colour and see music. Luckily for us, through painting, he found the means to use this unusual ability to make a remarkable contribution to the world of modern art.

2. Robert Delaunay (1885-1941)
Robert Delaunay was known for his bold use of color and geometric shapes. His paintings showed contrasts and harmonies of color produce in the eye simultaneous movements and correspond to movement in nature. His work using coloured ‘simultaneous discs’ was influenced by the research of the 19th century chemist Eugene Chevreul who concluded that “Two adjacent colours, when seen by the eye, will appear as dissimilar as possible”. Delaunay’s work encourages us to see the world with fresh eyes, to notice the shape and colour of the world around us. It fills us with feelings of light and optimism. It calls us to embrace the world and our sense of place in it.

3. Mark Rothko (1903-1970)
Mark Rothko’s work matured from representation and mythological subjects into rectangular fields of color and light. The most important aspect of painting for Mark Rothko was the creation of space within it. For him, artists were seekers of truth and adventure. He sought to communicate his understanding of the world, not through colour, but through a sense of space within the work. His paintings are powerfully meditative and draw us in, enveloping us and taking us to a quiet, reflective and emotional place.

**Number 1, 1950 (Lavender Mist), 1950, oil, enamel and aluminum on canvas by Jackson Pollock**

4. Jackson Pollock (1921-1956)
Jackson Pollock paintings are some of the most recognisable and thrilling images produced in the 20th century. Pollock was dubbed ‘Jack the Dripper’ by Time magazine due to the unusual way he liked to drip and splatter paint onto his canvas. Some of the inspiration for his paintings came from the Native American sand art he saw as a child and his own method of working resembled a form of ritualised dance around the canvas which was laid out flat on the floor.

abstract5 — **Louisiana Lottery Co. by Frank Stella**

5. Frank Stella (1936 to present)
Known for his work in the areas of minimalism and post-painterly abstraction, Frank Stella is the man who most famously said “what you see is what you see” does not deal with mystery in art. His artwork is resolutely and confidently abstract, formal and somehow definite with its hard edges and flat, sometimes exuberant color. Stella has been a phenomenally successful artist from very early in his career when he caught the attention of the art world with his series of ‘Black Paintings’.

Image source: Art.com

July 9, 2013

Abstract Art: A Visual Expression of Emotions

Abstract art started in the year 1911 by the Russian artist Wassily Kandinsky (1866-1944). It became a trend in the twentieth century and became famous because it breaks away from traditional representation of physical objects. Either it’s in the form of a canvas painting or a sculpture of different medium, abstract art is a visual language of forms, lines, colors and different shapes to interpret a concept, without necessarily providing a recognizable visual reference point for the viewers. Abstraction later manifested more formal terms, such as color, simple geometric designs and freedom from objective context.

Robert Delaunay - Premier Disque — Robert Delaunay – Premier Disque

The important connection is that abstract art engages and challenges the intellect but it also engages and challenges the emotions. To fully appreciate it, the viewer has to let go of a need to understand what the artist is trying to say and instead tune into their own interpretation and response to the piece.

As an abstract artist, you express yourself in a way that allows your audience to find his own personal response to the work. Many artists, who call their work abstract, actually do have a subject in mind when they paint. You can take a figure or landscape and simplify it, exaggerate it, or stylize it in some way. You can also use nature as a starting point but express it in different forms and shapes. Color, line, and form are more important than the details of the actual subject matter. The idea is you want to give a sense or feel for the subject rather than an exact replication.

Sonia Delaunay - Prisms Electriques (This painting is made extra special by the reference to great swiss/french poet Blaise Cendrars!) — Sonia Delaunay – Prisms Electriques
(This painting is made extra special by the reference to great swiss/french poet Blaise Cendrars!)

Abstraction indicates a departure from reality in depiction of imagery in art. May it be partial or complete, abstraction is departure of the image to its representation. Artwork which takes liberties altering for instance, the color and form in ways, are conspicuous and with a sense of continuum, can be said to be partially abstract. Total abstraction bears no trace of any reference to anything recognizable.

In summary, the simplified meaning of abstract art is an art that relies on the emotions and mood of the artist and the elements of design rather than exact representation of a subject. This broad definition allows you as an artist to almost unlimited freedom of ideas and expressions. You can create compositions that have no pattern in nature or any subject. You can also work from nature and then interpret your subjects in a non-objective manner.

Image source: http://www.holidayclubrecordings.co.uk