Category: Resources

July 20, 2013

Stuck in a Rut? 5 Ways to Get Inspired to Paint

There are times in an artist’s life when he feels uninspired, unmotivated, and uncreative. It’s like there’s a creative lull, especially after finishing a major artwork. You feel like you’ll never be able to create another beautiful painting again, you’re tired of picking up your paintbrush and starting your first stroke on the canvas, you have no inspiration to work on. If you are in this phase, here are some ways which can help you get out of the creative block you’re experiencing.

1. Look around you to get inspiration. Get out of your studio and take a walk. Be conscious of your surroundings. Notice the things around you. Look with a fresh new perspective of your environment. Sometimes, because an object, a person, or an event is ordinary to you, you may not take notice of it. You’ll be surprised how simple, ordinary things around you can give you inspiration on your next painting. You’ll be able to express yourself more accurately if your subject is something which you can relate to, or something that you are familiar with.

2. Work on more than one painting at a time. This technique seems absurd. You are uncreative yet I’m suggesting you to work on two paintings. A painting, especially if it’s big-scale, can drain your creative juices in the long run. Working on the same project everyday can be a bit tiresome and tedious. To sort of “spice up” your painting sessions, try doing two paintings. If you’re finished with an area or element in the first painting and you’re feeling tired, you can then switch to the second painting. This allows you to rest your mind from the first painting and when you come back to it, you will see areas which you can improve and enhance.

3. Experiment with a different painting technique or medium. Humans are creatures of habit. We want to do the same things in the same way. If you’re feeling uninspired, try to create a new habit in painting. Learn a new painting style and start using it. This may be a trial and error exercise for you but as you go along, you’ll improve and hopefully, master this new painting style. It can even be your new signature style in your paintings. If you’re always working with oil paints, try using watercolors or pastels. Different media require different treatments, brush strokes, and handling. You may have to learn more about a new medium that you want to work on and studying about it may give you the motivation to start painting again.

4. Look at the artworks of other painters. Art galleries, museums, and art exhibitions showcase numerous paintings and other artworks. Seeing the creativity of other artists can also inspire you to do your own masterpiece. Look at the Internet for paintings done by famous artists and see if you can learn a thing or two about how use the same painting technique or materials in your own project. Check out art magazines to see what subjects are popular nowadays, who are the upcoming artists, or where you can get art lessons.

5. Meet with other artists. Get together with your art friends. If all of you are busy, schedule an appointment that all of you will keep. This is when you can share your ideas, frustrations, tips, problems, etc. Discussing with your art buddies can help you get fresh ideas, be motivated and refreshed. After a lunch or coffee with friends, you may find yourself filled with enthusiasm and eagerness to create another beautiful artwork.

Image source: www.thecreativecomplex.com

July 18, 2013

Watercolor Paintings by Vincent Van Gogh

Scheveningen Woman Etten: November-December, 1881 (Amsterdam, Van Gogh Museum) — Scheveningen Woman
Etten: November-December, 1881
(Amsterdam, Van Gogh Museum)

“What a splendid thing watercolour is to express atmosphere and distance, so that the figure is surrounded by air and can breathe in it, as it were.” – Vincent van Gogh

Although Van Gogh’s watercolour paintings are not as well known as his oil paintings, he produced 148 watercolor paintings during his life and perfected this skill. His fondness in watercolour are very evident through his letters to his brother Theo. At the age of 28 Vincent wrote the following in a letter to his brother Theo in December 1888:

“I came away from him with some painted studies and a few watercolors. They are not masterpieces, of course, yet I really believe that there is some soundness and truth in them, more at any rate than what I’ve done up to now. And so I reckon that I am now at the beginning of the beginning of doing something serious. And because I can now call on a couple of technical resources, that is to say, paint and brush, everything seems fresh again, as it were.”

In the same letter he wrote:

“I wish you could see the two watercolors I have brought back with me, for you would realize that they are watercolors just like any other watercolours. They may still be full of imperfections, que soit, I am the first to say that I am still very dissatisfied with them, and yet they are quite different from what I have done before and look fresher and brighter. That doesn’t alter the fact, however, that they must get fresher and brighter still, but one can’t do everything one wants just like that. It will come little by little.”

Aside from drawing, Van Gogh often did watercolors as studies before doing an oil painting or as practice. Though often lacking his distinctive brush stroke textures, the watercolors are unmistakably Van Gogh in their use of bold, vibrant color. Often times, these watercolors were used as field studies for their eventual larger oil counterparts.

Initially, van Gogh would use watercolors to add shades to his drawings but the more he used them, the more these pieces became works of art in their own right. As Van Gogh continued to refine his technique, he used more and brighter colors in his watercolors. Over time he became more comfortable working with watercolors and was able to work quickly with them to produce more impressive works.

The watercolor paintings of Van Gohg distinguish themselves as a vibrant and important part of his overall oeuvre. Vincent Van Gogh‘s use of colour is, as always, marvelous and his watercolour works stand out as a remarkable achievement in the course of his constantly evolving art.

Image source: www.vangoghgallery.com

July 18, 2013

Beautiful Paintings Using Painting Knives

Tired of using paintbrushes? Want to experiment on using other tools in painting? You can try using a painting knife. People confuse a painting knife with a palette knife, the terms are used interchangeably, but when applying paint on a canvas, painting knife is used. Palette knife is used to mix and blend paint colors.

Using a painting knife produces thick, textured art work which is great for creating impasto. Impasto is a painting technique, using a thick application of paint that makes no attempt to look smooth. Most of the times, oil paint is the medium used in knife painting because of its think consistency but acrylics can also be used.

Knife painting can be a liberating technique. It lets you play with paint using the knife to create different depth and texture to the canvas. You need to load more paint that you normally need to the painting knife. You can then rub, squish, scrape, whip, slice, dab, mix the paint and let it sit there on the canvas. Many abstract and impressionist painters use painting knives in painting such as Vincent van Gogh, Willem de Kooning, Hans Hofmann, and contemporary artists Frank Auerbach and Leonid Afremov. Most common subjects in knife painting include architectural structures, landscapes, and man-made objects.

If you’re looking at a painting and you’re not sure whether the impasto technique was used, look at the painting from the side. If you see lumps of paint on the canvas, you’ll be sure that impasto was used.

Here are some beautiful paintings which used painting knives:

Wheat Field with Cypresses_Van_Gogh — Wheat Field with Cypresses by Vincent van Gogh, 1889.

Vincent van Gogh created several paintings in his Wheat Fields series. In the painting above, notice the movements of the clouds, trees, and the wheat field. Van Gogh used the impasto technique in this painting, and all the paintings in the series. He used bright, vivid paint colors to convey energy and movement.

Farewell_to_Anger_Afremov — Farewell to Anger by Leonid Afremov

Leonid Afremov is a Russian-Israeli modern impressionistic artist known for his use of painting knives in his artworks. He is also known as a self-promoting artist, using the Internet to promote and sell his paintings and not much relying on art galleries and exhibitions. In his paintings, you will see how he effectively used the knife in applying, mixing, and creating images. He was able to develop a painting style distinctly his own.

Image sources:
www.metmuseum.org
www.afremov.com

July 17, 2013

Painting Knife vs. Palette Knife: What’s the Difference?

Many people are confused between a painting knife and a palette knife. They look similar and are used in painting on canvas. So, what’s the difference between these two painting tools?

Knife-Painting-shapes2 — Different shapes of painting knives

Painting Knife
About.com defines a painting knife as “a springy, shaped, metal spatula used for painting instead of a brush.” A painting knife is a tool used to apply paint which is made of metal with a wooden handle. It has a crank or a bend on the handle, similar to the shape of a trowel, that helps keep your knuckles from touching the paint you’re applying. Eventhough it’s called a knife, a painting knife has blunt edges and is not used for cutting or slicing. Painting knives are available in different sizes and angular shapes: triangular, pear-shaped, rectangular, or diamond-like.

How to buy a painting knife
When buying a painting knife, choose the one with a flexible blade, one which has a good spring to it. The handle should be smooth, has a nice grip, and comfortable to hold. Make sure that the handle and the blade are firmly attached to avoid wasting paint or accidents.

How to use a painting knife
Using a painting knife is easy, just like spreading butter on sliced bread. Get some paint from your palette and spread the paint on the canvas. You can use both sides of the painting knife.

How to clean a painting knife
After using a painting knife, use a clean cloth to wipe off the paint. Use another cloth to completely clean the tool. If the paint has already dried, scrape off the paint using a blunt knife and a damp cloth. A painting knife with a stainless steel blade is more forgiving if you forgot to clean it immediately after painting. However, if the blade is made of steel, it is prone to rust if neglected.

Palette Knife
A palette knife is a blunt tool shaped like a spatula which is used in mixing paint colors, mediums, additives, etc. and scraping paint off the palette. It has a longer, straight blade with a rounded tip, unlike a painting knife which has angular shapes. A palette knife is made of metal, plastic, or wood.

How to buy a palette knife
Choose a palette knife with a metal blade and wood handle. As much as possible, avoid a plastic palette knife since it breaks easily. It may be inexpensive than a professional palette knife, but if you are planning to use this tool for a long time, go with the metal one which is sturdier and can effectively do the work.

How to use a palette knife
Put the paint colors or pigments on your palette. With a palette knife, get a little paint from the colors that you want to blend. Dab, flatten, and mix the colors together. If you are adding another color to the blended paints, clean the palette knife first using a cloth before getting the third paint color.

How to clean a palette knife
Cleaning a palette knife is similar to a painting knife. Use a damp cloth to remove the paint from the palette knife.

Image sources:
www.about.com
www.wikipedia.org

July 16, 2013

World’s Top Schools for Studying Arts

Academy of Fine Arts Vienna
Founded 1698, Vienna’s Academy of Fine Arts is divided into the Institute of Fine Arts (including the departments of abstract painting, art and digital media, art and photography, arts and research, conceptual art, contextual painting, expanded pictorial space, figurative painting, graphic arts and printmaking techniques, object sculpture, performative art-sculpture, video and video installation and textual sculpture), Institute for Art Theory and Cultural Studies, Institution for Conservation and Restoration, Institute for Natural Sciences and Technologies in Art, Institute for Secondary School Teaching Degrees (in craft, design and textiles) and the Institute for Art and Architecture.

Yale School of Art
Yale School of Art is rated the best in the United States for its Master of Fine Arts program as of 2013. Established in 1869, the Yale School of Art is one of the 12 constituent schools of Yale University. It grants a Masters of Fine Arts degree to those who have completed their studies in graphic design, painting or printmaking, photography or sculpture. Yale offers courses in all of these four interrelated fields.

Accademia di Belle Arti di Firenze, Italy
Located in Florence, Tuscany, the Accademia di Belle Arti di Firenze (“Academy of Fine Arts of Florence”) was founded by Cosimo I de’ Medici, Grand Duke of Tuscany, Michelangelo and Giorgio Vasari in 1563. Originally, the Academy’s members were the eminent artistic personalities of Cosimo Medici’s court, supervising artistic production in the area. In 1784, all the schools of drawing in Florence were combined into one single institution, known as the Accademia di Belle Arti from then onwards. Since 1783, the Accademia Gallery has housed the original David by Michelangelo.

Royal Academy Schools, England
The Royal Academy Schools form the oldest art school in Britain and the only institution to offer a three-year post-graduate art course. They offer an unparalleled opportunity for students to develop their work over a three year postgraduate programme. The Academy provides free tuition to its students, contributed by Members of the Royal Academy. Disciplines such as painting, sculpture, print, installation, time-based media and digital media are taught.

École nationale supérieure des Beaux-Arts, France
Founded in 1648 by Charles Le Brun, The École nationale supérieure des Beaux-Arts is is the distinguished National School of Fine Arts in Paris, France. Studies at the school include painting, installation, graphic arts, photography, sculpture, digital media and video. Additional theoretical courses are supported by technical training and access to technical facilitiesThe collection of the school includes around 450,000 items, containing artwork and historical books.

Athens School of Fine Arts, Greece
Established in 1837, The Athens School of Fine Arts is Greece’s premier art school whose main objective is to develop the artistic talents of its students. As of 1840, the program for fine arts included painting, sculpture, architecture, lithography, woodcut, geometry and cartography. In 1910, the faculty was made independent of the National Technical University. This was also the year in which women were first allowed to study at the School of Fine Arts.

Image source: www. wikipedia.com

July 16, 2013

Tips in Painting on Large Canvases

Spolarium_Luna — The Spoliarium by Juan Luna, 1884. It measures 4.22 meters x 7.675 meters.

Many artists dream of painting on a bigger canvas. If you have an idea or inspiration that cannot be captured on standard size canvases, going big is your way to go. However, if you’ve never painted on a large canvas, you can be intimidated and overwhelmed with the thought of creating big-scale art. Here are some tips that can help you overcome your fears on painting big.

Tip #1. Gradually paint on bigger canvases. Help your mind, eyes, and hands to adjust painting on a large canvas. Every couple of weeks or so, try to paint on a canvas which is bigger than the previous one you used. This practice will help you get comfortable and get used to painting big. With a small canvas, you’re working on a limited space so the details are smaller, lines are finer, and you finish quicker than painting on large-scale canvases so, you may have to practice your brush strokes little by little until you reach your desired canvas size. Learn from your mistakes and correct them along the way. Don’t be in a rush to work on a large canvas.

Tip #2. Know the scale of the painting. Are you using a big canvas to fill it with small details of a complex subject (e.g. historical event) or are you painting a big-scale of a small subject (e.g. portrait, nature). Find the balance among the subject, the size of the canvas, and your painting style. Remember, just because the painting is bigger, doesn’t mean it’s better than ordinary size painting. Some subjects are perfect for larger canvases while some are best with small canvases.

Tip #3. Use bigger brushes. Bigger brushes will help you finish the painting faster. You can cover larger areas of the canvas and you can loosen up a bit when painting, like a child painting freely on the wall. Stand back from the canvas and see if you’re on the right track. You can still use small brushes, though, if you’re more comfortable with them and if the style of your painting requires them.

Tip #4. Divide the canvas into sections. Working on a big painting can be overwhelming. Using your sketch as guide, try to divide the canvas into sections and do one section at a time until you finish the whole painting. You can also try breaking down the elements of the painting and before you know it, you’re on your last brush strokes in this painting.

Tip #5. Be patient. Since you’re painting on a large canvas, naturally, it will take more time to finish and to dry, so be patient. If you’re an artist who get bored easily or can’t delay gratification, then creating large-scale paintings is not for you.

Image source: www.wikipedia.org

July 15, 2013

Famous Abstract Paintings

Abstract paintings are in its purest form and have no identifiable object. It is a visual language that awakens emotions, imagination that feeds the soul. Many famous abstract artists expressed themselves through abstract paintings which paved their way to fame. Through the years, they have different painting techniques and styles that created a whole new world for fine arts. Here are some of the most famous paintings that changed the whole perception of abstract art.

“Composition VIII” (1923) –Composition VIII by Wassily Kandinsky is small oil on canvas painting dating from 1923. This geometric composition communicates to the world through the use of shapes, colors, and lines. It is currently in the Guggenheim Museum in New York.

“Black Square” (1915) – “Black Square” is the first “suprematist” work of Malevich. Black Square against white background became the symbol, the basic element in the system of the art of suprematism, the step into the new art. The painting is the ultimate picture of pure abstraction. The artist himself created several variants of the Black Square. All four are different not only the sequence and year of creation, but also the color, design and texture.

“Number 1” (1948) – Jackson shows how much paint can be “unrestricted, unexpected, uncontrolled” as we see it poured onto a canvas making lines that are assertive, and we also see a complexity of shapes, globs, pools of paint layered one on top of another. Paintings like this are unique because the artist’s actions, strengths, and energy could be reflected in the art.

“Dantrolene” (1994)– This painting is one of the most famous contemporary abstract paintings that could surpass a lot of present art available for sale. Painted by Damien Hirst, the viewers are amazed by the pigments portrayed in the painting. They will search for deeper images that their minds are forced to create. In the end, endless emotions and assumptions will be extrapolated from this painting.

“Les Demoiselles D’Avignon” (1907) – The painting made by Pablo Picasso depicts four women in a brothel that are not fully abstracted. Each figure is depicted in a disconcerting confrontational manner and none are conventionally feminine. This lack of abstraction does not reason the paintings’ exclusion from the list of the most famous abstract paintings.

“Woman I” (1950) – De Kooning described the figurative motif of this painting not as a representation but as a thing slapped on the canvas, liberating him from formal anxieties. The main attraction of the work is the painful and angry image of an abstracted woman, hence the title of the painting. This “woman” is exaggeratedly, absurdly physical and at the same time not there at all, a spewed monster of fantasy, a crude graffito that took two anguished years to paint.

July 15, 2013

Dutch Master Rembrandt and His Most Famous Works

Today is Rembrandt’s 407th birthday!

Born Rembrant Harmenszoon van Rijn in 1606, he is the most celebrated Dutch artist and is considered as one of the greatest painters in European art history. Most of his masterpieces are self-portraits, portraits of other artists, and depictions of religious and historical themes. Art experts claim that Rembrandt was able to create more than 600 paintings, 400 etchings, and 2,000 drawings, but these figures are not certain.

Here are some of Rembrandt’s most famous works:

The Return of the Prodigal Son. This is an oil on canvas painting finished circa 1669. It is one of Rembrandt’s final works. The Return of the Prodigal Son depicts a parable from the Bible about a prodigal son returning to his father after wasting his inheritance. In the painting, you’ll notice the ragged state of the son’s clothing, kneeling and repentant in front of his father who was garbed in rich clothing. The expressive lighting and coloring in the painting effectively evoke repentance, compassion, and forgiveness.

The Anatomy Lesson of Dr. Nicolaes Tulp. Rembrandt was commissioned to paint this group portrait, The Anatomy Lesson of Dr. Nicolaes Tulp. The painting portrays a group of surgeons, surrounding a table while studying a corpse. Specialists have commended Rembrandt for the accuracy of the muscles and tendons of the corpse’ dissected arm. Rembrandt was 26 when he created this painting. The painting is displayed in the Mauritshuis museum in The Hague, the Netherlands.

The Return of the Prodigal Son by Rembrandt, c. 1669.

Danaë. Rembrandt portrayed Danaë, the mother of Perseus in Greek mythology. The 1636 painting shows his interpretation of the myth where Danaë waits for Zeus who impregnated her. It is a life-size painting, measuring 185 cm × 203 cm. Danaë is housed in the Hermitage Museum, St. Petersburg, Russia.

Jacob de Gheyn III. Jacob de Gheyn III is a portrait of one of Rembrandt’s contemporaries who was a Dutch Golden engraver. The painting measures 29.9 x 24.9 centimeters and because of its small size, it has been stolen four times since 1966. It is called “takeaway Rembrandt” due to the numerous theft incidents, the most recorded of any painting.

Belshazzar’s Feast. Belshazzar’s Feast is a 1635 painting portraying the Biblical story of Belshazzar and the writing on the wall. The setting is at a banquet wherein the characters show alarm, surprise, and amazement as they look at the handwriting on the wall. Rembrandt effectively used the technique called Chiaroscuro, wherein he manipulated light and shadow to give contrast and create volume and give a three-dimensional effect on objects.

The Night Watch. The Night Watch is the best known painting housed in the Rijksmuseum, Amsterdam, the Netherlands. The painting was commissioned by Captain Frans Banning Cocq who was one of the main characters in the artwork. It is widely known for its size (11.91 ft × 14.34 ft), effective use of Chiaroscuro, and perception of motion.

Image source: www.wikipedia.org

July 14, 2013

Types of Stretcher Bars

Stretcher bars play a major role in the appearance of a canvas artwork or Giclee printing. The quality of wood and the structure of the stretcher are the key to easy stretching which produces a better print quality and longer life for a canvas. It is also important that you choose the right stretcher for your canvas depending on the type of canvas you will use, the size of your artwork and weight and texture of the weave of the canvas. The following are the types of stretcher bars and their uses.

Medium/Standard Duty
Medium duty stretcher bars are the standard stretcher bars with raised and rounded edges which significantly reduce the friction of stretching. It provides a tighter and more even canvas face. It also reduces the stress placed on the canvas and the person doing the stretching, as pliers lever the canvas around the frame.

Light Duty
Light duty stretcher bars are great for those smaller paintings or giclee prints that will be framed or won’t benefit from a thicker bar. They have a beaded (rounded) edge that holds the canvas and flat part of the bar slightly apart. The rounded edge greatly relieves the stress on the canvas and person framing. A tighter, more uniform stretch is the result of this feature because the canvas flows around the smooth edge.

Medium/Heavy Duty- Goldilocks
Goldilocks medium or heavy duty stretcher bar is an expensive option because it is in demand for those who require a substantial side profile for their valuable art work. It adds to the intrinsic value of the art without having to spend more. This stretcher profile is frequently used for the stretching of giclee and other prints.

Heavy Duty-Midi
Heavy duty Midi bars offer you an exceptional quality at a very reasonable price. Like all other gallery wrap stretcher bars, their edges are created to impart a smoother stretching with less resistance. These light-weight bars are also perfect for reducing the overall weight of the frame. Straight-grained and lightweight these bars are perfect for also reducing the overall weight of the frame.

Super Heavy Duty
The super heavy duty gallery wrap stretcher bars are known for their impressive mass as well as strength. It is very useful when you have to stretch that large canvases and paintings. It is also ideal for smaller frame applications where very high tension is required. They are usually made with a brace at the back for added strength.

Image source: commons.wikimedia.org

July 14, 2013

Buy Fine Art From Amazon…Soon

Wall Street Journal reports that Amazon is discussing plans with about 100 art galleries in the US of selling fine art online. The e-tail giant plans to create another part in its site where it will offer unique paintings, prints, and other fine art pieces. Amazon has already organized cocktail receptions in Seattle, and other big art cities including New York and San Francisco, inviting galleries to join the plan.

According to WSJ, Amazon will charge the art galleries a monthly membership fee of $100 and will get a commission of 5-20%, depending on the sold artwork. Higher-prices pieces would be subject to lower commission rates. The membership fee would be waived for art houses which would partner with Amazon in selling high-end art until 2015. Amazon will be using a retail model, which means each artwork has a fixed price, unlike art auction houses where the highest bidder gets the art.

Online selling of fine art is a double-edged sword. Amazon’s plan is a great way for art galleries to reach more people. Art lovers outside the city such as New York would be able to buy great art without traveling to the city. At the comfort of their homes or offices, people can easily buy art, even without visiting the actual art gallery. However, a drawback of this plan is that people may be hesitant to buying expensive paintings without seeing the actual painting. Most likely, art buyers won’t pay six- or even seven-figures for something that they only see online. Unlike buying a book or a gadget online, serious art collectors would naturally want to see the artworks personally.

High-end online auctioneers such as Sotheby’s and Christie’s said there is a growing market for expensive art over the Internet. Sotheby’s BidNow program was able to sell a 16th century portrait of Giovanni Gaddi for $2 million in 2012. Christie’s have been accepting online bids since 2007. It revealed that 27% of its auction sales ($6.2 billion) last year came from online bidding and regular auctions. Christie’s was able to sell Edward Hopper’s oil on canvas painting entitled “October on the Cape” to an online bidder for $9.6 million.

As of now we’re not sure if Amazon’s plan to sell high-end art will come to fruition. In 1999, Amazon forged a partnership with Sotheby’s to sell fine art but it lasted for 16 months only because the jointly operated auction site, Sothebys.Amazon.com, failed to gain traction. Also, there are many online art galleries offering a wide range of art from numerous artists that already have established markets and loyal clientele.

Image source: www.gizmodo.com