June 29, 2013

Franz Kline: Master of Black and White

“I paint the white as well as the black, and the white is just as important.” – Franz Kline

When we talk about paintings, we visualize canvases filled with several colors portraying an extensive array of subjects. However, one artist became popular during the Abstract Expressionist movement in the 1940s to 1950s because of his black and white paintings.

Franz Kline is an American Abstract Expressionist is widely known for his large-scale black and white abstract paintings. In his early years as a painter, he started as a realist and primarily influenced by Old Masters. When he stayed in New York during the 1940s, he became friends with abstract expressionists including Willem de Kooning and Jackson Pollock which helped him develop another style and he was influenced to work with abstractions.

Kline’s abstract paintings are described as “dynamic,” “spontaneous,” and “intense” earning him the label as an “action painter.” He only used black and white paints on most of his works but nonetheless, they still show his intense style and less focus or no focus at all on the actual imagery. His works have been interpreted as landscapes, cityscapes, bridges, buildings, railroads and other industrial subjects. Some also likened his style to Japanese calligraphy. Kline denied any hidden message behind his paintings which interested a later generation of Minimalist artists.

Here are some of his celebrated works:

Painting Number 2 (1954)
Painting Number 2 is an oil on canvas measuring 6′ 8 1/2″ x 8′ 9″. It is displayed at The Museum of Modern Art.

Painting_Number_7_Kline — Painting Number 7

Painting Number 7 (1952)
Painting Number 7 is one of Kline’s best examples of black and white artworks. It shows broad, geometric black lines.

Untitled (1952)
This oil painting is done on paper which is mounted on canvas. It shows Kline’s signature strong, block lines.

Unfortunately, Kline has no catalogue raisonné or an official listing of his artworks. Many forgeries of his works have been traded and it is difficult to prove the authenticity of the paintings being offered in art auction houses. An article revealed that at least nine Kline paintings which have been traded in Christie’s (London and New York), Koller (Zurich), and Tajan (Paris) may have been fakes. There lack of catalogue raisonné risks private collectors and major auction houses in buying a seemingly original Kline painting which in the end would turn out to be just a forgery.

Image source: http://www.guggenheim.org/

June 28, 2013

Learn the Oil Painting Technique: Underpainting and Glazing

Underpainting

It is an initial layer of paint that will serve as a foundation and help define subsequent layers of paint for your painting. Underpaintings are usually monochromatic which reflects light through the over-painting layers and gives a painting the luminosity. There are several different methods of underpainting were used by the old masters.

· Grisaille
Pronounced as “griz-eye” this is a method of underpainting with different gray paints.

· Verdaccio
It is a method of underpainting with colors of olive or green gray paint in the light areas. It often resembles a moonlight effect.

· Imprimatura
This underpainting method usually uses transparent layers of earth colors (ra umber or burnt umber). It is used as first stain to tone the canvas.

· Wash-in Underpainting
A variation of the Imprimatura underpainting. The subject or composition can be drawn into a thin semi-transparent layer of raw umber or burnt umber. Rags, paper towels and paint brushes are used to lift out the paint exposing the lights to illuminate the subject.

Glazing

Glazes can change the hue and texture of a surface. Drying time will depend on the amount and type of paint medium used in the glaze. Different media can increase or decrease the rate at which oil paints dry. Oil paits usually takes longer to dry. If a paint is too opaque, painters will add special media or a lot of medium to the paint making them more transparent for the purposes of glazing. Glazing has the strongest impact on showing middle tones and dark colours.

Reproduction of Girl with a Red Hat by Jan Vermeer — Glazed reproduction of “Girl with a Red Hat” original by Jan Vermeer

Here are some tips on how to glaze oil paintings.

· Begin the oil painting as usual by sketching and putting visual resources as necessary, but do so as though the painting were going to be complete in one layer.

· Once completely dry, after a week or so, begin the next layer of paint. The glazes will soften the colours and deepen the tones. Each “glaze” slightly modifies the colour of what has already been painted on the canvas. When you look at it the colours are automatically mixed optically giving a rich deep colour.

· Putting a little linseed oil into the oil paint will create a translucent colour. Oil paint comes in transparent, semi-transparent, and opaque and you will learn which is which the longer you paint with oils. All paint colours can be used as glazes, even opaque paints, used as glaze to paint mist or fog.

· Apply the oil paint glaze onto selected areas. A second layer of slightly darker colour will deepen the colour without changing it completely.

Image source: www.easy-oil-painting-techniques.org

June 28, 2013

Most Famous Women in Paintings in the World Part 2

NPG 2082; Queen Elizabeth I by Unknown artist — The Darnley Portrait

Yesterday, I listed the women who were immortalized through paintings by famous artists. Now is the second half of this list.

6. The Darnley Portrait (circa 1575) by Unknown Netherlandish artist
The Darnley Portrait became the official template or face pattern of England’s Queen Elizabeth I in the 1590s. This portrait was constantly reused for all of the Queen’s official paintings in the said period. It shows the Queen with her crown and scepter, the symbols of sovereignty.

7. Girl with a Pearl Earring (circa 1665) by Johannes Vermeer
The Girl with a Pearl Earring is an oil on canvas masterpiece by Dutch painter Johannes Vermeer. It is considered the “Mona Lisa of the North” and the “Dutch Mona Lisa.” As with Vermeer’s other works, the true subject of this painting is unknown. There are several theories as who is the girl in the painting and many say that it is Vermeer’s eldest daughter Maria Magdalena.

8. Fritza von Riedler (1906) by Gustav Klimt
Gustav Klimt mainly painted with women as subjects and one of his paintings is Fritza von Riedler. It is one of the first portraits that Klimt created which shows a woman who is sitting and is adorned with frothy lace in her gown and satin ribbons on her head. The painter filled the canvas with decorative elements, similar to the Portrait of Adele Block-Bauer. Not much is known about the woman behind the painting but it is one of his most famous paintings.

9. L’Arlésienne: Madame Joseph-Michel Ginoux (1888-89) by Vincent van Gogh
The subject of Vincent van Gogh’s L’Arlésienne painting was Marie Ginoux, the owner of the Café de la Gare in Arles, France where the painter lived for a few months. Van Gogh created several versions of the painting which depicts Marie seated at a table with books. The first version was painted on burlap and the second version was on a pre-primed canvas and instead of books, Van Gogh put a parasol and gloves in the painting.

10.Portrait of Madame X (1884) by John Singer Sargent
The Portrait of Madame X, also known as Madame X, is a portrait of a young socialite Virginie Amélie Avegno Gautreau, wife of Pierre Gautreau. The subject was in a standing pose with her head turned to the left, creating a profile. The painting created a scandal among the Parisian elites as it showed the socialite in a low-cut black satin dress, unflattering white make-up, and one dress strap hanging off one shoulder.
Image source: http://www.npg.org.uk/

June 27, 2013

How to Price for Your Artwork

There are different factors that you have to consider when pricing your artwork. If you’re just starting out and have not sold very much, pricing your work based on time, labor, and cost of materials is often the best way to go. Aside from explaining why your art is priced as much from a personal standpoint, you also have to explain equally from a financial standpoint and give reasons why it is a good buy most especially when your buyers are not familiar with you and your work. Here are some tips on how to fairly price your artwork.

1. How much did you spend?
You can start pricing your artwork by computing the quality and cost of art materials you’ve used. Then put into consideration the time and effort you spent in making these masterpieces. Price it at cost of materials plus hours spent creating the art. You can also do it by size. Large artworks usually are more expensive than the smaller ones.

2. Start with the lowest possible price that you can offer
It’s best to start low and raise your prices than it is to lower your prices later. But make sure that you have to gain a significant profit from your artwork to sustain your art business. You might want to price the work a few hundred dollars over the set price so you have space to negotiate just in case a buyer ask for a discount. Don’t undervalue your work. Selling your art too cheaply reflects your confidence as an artist.

3. Compare prices with other artists
Research and see what’s being charged by other artists that are at your level of work. Use that information as a guideline then set your price similar to other artists with similar experiences and work in similar mediums.

4. Price based on your status as an artist
Price your work based on your achievements, documented accomplishments, successful exhibits and number of sales. The more popular you are as an artist the more you should be confident with your pricing.

5. Be consistent with your pricing
Keep a pricelist of your paintings. Consistent pricing means that you’re consistent with the quality of your artwork. It is a cornerstone of a sound practice and eventually leads to successful sales. You can increase your pricing when you are experiencing a consistent degree of success and have established a proven track record of sales that has lasted for at least six months and preferably longer.

Image source: www.celebrateart.com

June 27, 2013

Most Famous Women Paintings in the World Part 1

Mona_Lisa,_by_Leonardo_da_Vinci — Mona Lisa by Leonardo da Vinci

With unlimited subjects and inspiration in the world, famous artists at some point in their careers have created paintings of women. Here’s a list of the most famous of them all:

1. Mona Lisa (1503-1519) by Leonardo da Vinci
Who doesn’t know the Mona Lisa? The woman’s identity is still a mystery and there are different speculations made about the painting’s subject, including that it’s Leonardo da Vinci in female form. But the most accepted and highly plausible explanation is that the Mona Lisa is the portrait of Lisa Gherardini, the wife of Francesco del Giocondo who may have commissioned the art. Many are fascinated with this masterpiece because of the subject’s ambiguous expression, subtle forms, and illusionism. Also, the Mona Lisa was stolen from the Louvre Museum in Paris, emphasizing the piece’s value and its importance in art history.

2. Portrait of Adele Bloch-Bauer I (1907) by Gustav Klimt
The Portrait of Adele Bloch-Bauer I is oil, silver, and gold on canvas. It is one of the most expensive paintings sold in 2006. The portrait depicts Adele Bloch-Bauer, the wife of a wealthy industrialist, Ferdinand Bloch-Bauer who commissioned the art. Klimt used the Jugendstil style, also known as the Art Nouveau, in creating the portrait.

3. Dora Maar au Chat (1941) by Pablo Picasso
This painting depicts Pablo Picasso’s lover, Henriette Theodora Markovitch, also known as Dora Maar. It shows the subject sitting on a chair with a small cat on her shoulders. It is one of the world’s most expensive paintings, being sold at $95.2 million and currently valued at $109.5 million.

4. Whistler’s Mother (1871) by James McNeill Whistler
The original name of Whistler’s Mother is Arrangement in Grey and Black No.1 and it is displayed at the Musée d’Orsay in Paris. It is one of the most famous works of an American artist outside the US and is considered an American icon. The woman in the oil painting is of the painter’s mother sitting since she got uncomfortable posing while standing for long periods.

5. Portrait of Gala (1931) by Salvador Dalí
The Portrait of Gala depicts Salvador Dalí’s wife, Gala Dalí. The painter adored his wife who acted as his business manager and he said that she saved him from madness and untimely deaths. Unlike the previous paintings of Gala, this portrait lacks the usual sympathetic and adoring images of his wife due to Gala’s extramarital affairs which left him insecure.

Image source: www.britannica.com

June 26, 2013

Checklist For a Plein Air Art Trip

Packing for a Plein Air art trip varies depending on where you’re going and the elements that you will be dealing with. There are variety of things that you must consider since you will be working outdoors. Here’s a list of the basic things you need to have on your trip.

ART MATERIALS
Since you’re going to travel, take note to have your art materials complete. It’s better if you keep things compact and organized to avoid confusion and you might forget some of your essential materials. A good idea is to invest a good art traveling bag which has multiple pockets and organizers to keep your materials intact while you’re traveling.

EASELS
Support is needed for any surface you plan to work on. And since you are traveling, a portable easel is a very good choice. Special easels comes with storage such as drawers and compartments for carrying paints and brushes within the easel. Table easels are also available if you prefer to sit while painting.

UMBRELLA and HAT
You can always find a shady area to paint but sometimes you’ll have to set up in the sun. The hat is for your protection but the umbrella is to keep the sun off your canvas and palette. A white or gray umbrella so the reflection doesn’t affect your color judgement. Try to keep both palate and canvas in the shade.

CAMERA
You can capture the initial scene with a camera. Positions of clouds and direction of the wind can constantly change outdoors so you can use this trick to make your artwork more consistent. Another advantage of the still shot is that you can use it just in case the weather turns bad and you have to finish your painting indoors.

EXTRA CLOTHING
Bring extra clothes just in case you so you can change just in case things get messy. Or you can dress in layers that you can easily take off as you get hot and put on when it gets colder. Wear neutral colored clothing to avoid too much light reflections onto your painting. Bright colors can also reflect some of their color onto your painting so stick with beige and khakis.

Now that you have your basics, here are some of the things you might want to have with you on your trip to make it more comfortable.
• Water to drink
• Light snacks
• Paper towels
• Insect repellent
• Garbage bags
• Soap and water to clean your brushes

Image source: www.judithgreenleaf.com

June 26, 2013

Guidelines for Artists Before Starting to Work on Commission

reading_a_letter_on_the_beach — Reading A Letter On The Beach by Dominique Amendola

Doing art on commission is a big step in an artist’s career. It boosts an artist’s pride in his work, knowing another person aside from his mother appreciates and is willing to pay for his work. It can be a very exciting and thrilling experience, especially for first-timers. Before you get all excited, here are some important things that you have to keep in mind before you start creating art on commission.

Communication
As with any relationships, communication is vital between an artist and the party commissioning his work. Meet with the other party to discuss the project. Make the specs of the project clear from the beginning and ask questions if some details are not clear to you. It’s best if you meet at your studio, gallery, or cafe where your art works are displayed so he’ll know your style and the types of work that you do.

Here are some ideas on what to ask the other party:

Have you commissioned art before?
What are you looking for in a commissioned art?
What do you want and don’t want to see in your art?
Who will approve the art?

Contract
In any business deals, a contract is very important. If your meeting goes well, you have to prepare a contract for the painting which both of you must sign. Be concise and clear with both your expectations. Define what the project entails, the characteristics of the painting, payment schedule, milestones, completion time, and delivery time. This contract will protect both parties and hopefully prevent disputes in the future.

Payment
If it’s your first time to do art on commission, asking for an advance payment may be intimidating but you have to ask for it and discuss it on your meeting. Normally, 1/3 of the commission can be required upfront and should be non-refundable. This is a great incentive for you to start with the project and obligates the other party to push through with your agreement. An advance payment is non-refundable so if the other party backs out of the agreement, the time, effort, and materials you’ve used are still compensated.

Revisions
A painting can take days or months to finish, it’s natural that the other party would like to see the developments in the project. You can make it clear in the contract when the other party can visit you and your work so if there are issues to answer, any revisions, or concerns, both of you can discuss about it right then and there. It’s a waste of both your time and resources if you present an artwork which is entirely different from what’s on the other party’s mind.

Image source: www.fineartamerica.com

June 25, 2013

Choosing a Frame For Your Canvas Artwork

Choosing a frame can make or break the total look of your canvas art. They should accentuate and add character to your most prized artwork. More than an accessory, frames protects your favourite art from dust, moist and other elements and conserves them for generations. Here are some things to consider before buying frames for your artwork.

• Where will it be displayed?
Before deciding about what color or texture you want to use in your frame, consider the place where your framed artwork will be displayed. There should be a balance between your artwork, the frame, and the color of the room or wall. The idea is you have to create a backdrop for your framed art and that it should match the other decor that you already have in that room.

• Frame style
There are different types of frames that you can choose from. But the thing is, a beautiful and expensive frame might be over-powering your artwork or doesn’t blend with the character of your painting and the surroundings. Never use frames that are of the same hues as your walls. Once again, you have to balance it out. Remember that you want your artwork to be the center of attraction and not the frame.

• Never put glass over a canvas art
Yes, you want to preserve your precious artwork so it will last for generations but putting glass over a canvas painting is the biggest mistake that you could ever do. The canvas itself creates that distinct character of your artwork. You don’t want all that texture to be trapped behind glass because it is the reason why images created in canvas is different from other kind of art.

• To frame? Or not to frame?
Canvas prints can be equally striking without a frame. If you have not quite got the budget for a good frame, this may be an excellent alternative. Big prints work best without any frame because they will look smaller than they actually are when they are displayed with frames. Small prints most probably need framing and you can always make them look larger by putting a mat.

Framing your canvas art doesn’t have to be expensive. All it takes is a little research and a lot of imagination. Ask and window shop around to your hobby stores to see what’s available before making the final decision.

Image source: www.ursulahobsonframing.com

June 25, 2013

Different Types of Brushes in Oil Painting

Aside from canvas, paintbrush is one of the most important material an artist has to have. You have to have good brushes with you to create good paintings. Even a good painter cannot come up with wonderful pieces is he’s using bad brushes so make sure you have good brushes with you. For oil painting, a good brush will retain its shape when dipped in paint, will bend in each stroke, and return to its original shape after each brush stroke.

Brush Hair
Oil painting brushes are available in bristle and sable hairs. Bristle brushes come from pigs’ hair and are used to begin a painting. The bristles are strong and the tips are naturally split, allowing the brush to hold more paint. Use bristle brushes which are half an inch wide or wider. Sable brushes are soft-haired brushes made from the hair of the tail of a sable marten which are a bit expensive. These brushes are perfect for painting details and small areas.

There are also brushes using synthetic hairs which are also cheaper than brushes with natural hair. If you are against using animals in your art, use synthetic brushes for your peace of mind.

Brush Shapes
Brushes come in different shapes. The most common shapes are: Flats, Filberts, Brights, and Rounds. Other shapes are the Fan, Angle, Mop, and Rigger. Each brush is used for a variety of techniques in applying paint.

Flat brush. A flat brush has long bristles arranged in a rectangular shape. It is a primary blending brush and used for spreading paint quickly and evenly on a canvas. It is considered as the most versatile among the brushes.

Filberts. A Filbert is a flat brush with an oval shape. It is used in blending and creating areas with softer edges. Many artists have advised on using filberts with natural hairs since the hairs stick together better when wet.

Brights. Brights are flat brushes but with shorter and stiff hairs than flats. Use this brush if you want your strokes to show in the painting. It is used in thinner painting styles and also, thicker applications of paint such as impasto.

Rounds. Rounds are brushes with a pointed tip which provides little variation in the size and shape of the brush stroke. It is used for painting small details and line work.

Fan. As the name suggests, a Fan brush is shaped like a fan. It is used in blending large areas, creating soft blends of several colors. It can also be used to soften brush strokes on the canvas.

Angle. Angle brushes have short bristles and longer ones at one end, creating an angular shape. It can be used for general application of paint as well as detail work.

Mop. Mop is a large brush with a rounded edge. Larger sized Mops look like a blush-on brush which are great in broad soft paint application.

Rigger. A Rigger is a round brush with long hairs used in painting delicate lines and dots.

Image source: www.emptyeasel.com

June 24, 2013

5 Best Canvas Manufacturers

1. Winsor and Newton, London
Founded in1832, Winsor & Newton has always been “The World’s Finest Artist’ Materials” . Up to this day, they strive to keep up with the latest developments in the art world and take an active interest in what artists say. They have built their reputation on the quality and reliability of their products, combined with continual product development, improvement and innovation.

2. Top Value Fabrics, US
Established in 1974, Top Value Fabric is a leading international supplier of Industrial, Recreational and Print Media fabrics for a wide variety of applications and industries. They carry an impressive collection of stock programs in addition to finishing fabric to meet clients’ specifications. Their product lines include Nylon, Vinyl, Canvas/Duck, Print Media, Activewear, Marine, and Polyester.

3. PICASSO, Indore, India
They manufacture canvas rolls from 100% cotton fabric with a double coating of acid free acrylic titanium priming. They also give an extra anti-fungus treatment to ensure safety from fungal infections for a long time. Artistic canvas rolls are widely used for acrylic and oil paintings by students and artists. Offered at industry leading prices, these canvas rolls are highly demanded by artists and students.

4. Russell and Chapple, London
Specialise in supplying the highest quality Fine Art, Scenic, and Digital canvases, sourcing and importing our canvas fabrics from all over the world. They have themost comprehensive range of these canvas materials in linen, cotton and polyester, and they supply the professional and amateur artist with the best art supports at the most competitive price. Whether you are making a mural, painting or miniature they have thecanvas for you.

5. Deasung, Shanghai, China
Provides linen canvas, wholesale canvas rolls, hemp canvas . If you are looking for the good quality of canvas that is available you should shop for linen canvas. Linen canvas makes for a superior painting surface and its strong fibers hold together and last longer than other materials. A range of canvases is available from the tightest weave, finest tooth quadruple primed handkerchief linen to robust heavy toothed linens ideal for large format works.